Haunted by his past, a careworn man fights against starvation and a hostile environment to find a new home for a little girl and himself in a post apocalyptic world, which not only questions his purpose in life, but if hope alone can keep you and the ?Mensch? inside you alive.
Nonno87Penpusher
Haunted by his past, a careworn man fights against starvation and a hostile environment to find a new home for a little girl and himself in a post apocalyptic world, which not only questions his purpose in life, but if hope alone can keep you and the ?Mensch? inside you alive.
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It sets up the mood pretty well but doesn’t add up to drama due to its lack of specificity
Which particular “past”?
design it to raise the stakes & make us root for him..
Why Now? The Inciting Event is absent.
What specific CONFLICT do they face in this post-apocalyptic world; without which we wouldn’t know what he must overcome. Hence his objective-visual-GOAL IS MISSING
Drop “…which not only questions his purpose…..alive” entirely
focus on event-protagonist-goal:
“when [this EVENT happened], [this PROTAGONIST] must [reach this GOAL]”
Refer to “Our Rules” section on the logline.it homepage. Good Luck Nonno87!
The logline lacks the necessary fundamental elements for a plot – inciting incident and goal.
Check out the ‘Formula’ tab on the top bar for more information on what a logline needs.
The man is the MC but what specific event sets him off on his journey? This needs to be an out of the ordinary event so what caused him to need to find a new home?
What specifically does he need to achieve by the end of it? Hint, it can’t be ‘to survive’ as survival is an ongoing activity not to mention a rather generic one at that. It needs to be one specific visual objective that has meaning in the context of the story.
It’s wordy and dense — I have had to read over it multiple times to get a sense of what your story is about.
There’s a movie just come out called “Cargo” which pretty much sounds like this exact thing — but it has the added hook that it’s set post-zombie-apocalypse, and the inciting incident is that the protagonist is bitten and is slowly turning to a zombie, and must now get his infant child to safety before he turns full zombie and eats her.
It’s also reminiscent of ‘The Road’ and ‘The Last of Us’. This is not bad — it’s obviously pretty zeitgeist-y, but your story lacks a hook that sets it apart from those that have come before.
Protagonist: you can do better than the character’s function being ‘man’ though, can’t you?
“A careworn used-car-salesman traverses the violent post-apocalyptic wasteland with his daughter in search of ‘the safe zone’.”
Aside from a fresh hook, it’s missing a call to adventure.
Agree with? the points? Nicholas Andrew Hall and Nir Shelter raised.
The original version buries information about the setting that is needed? for a logline reader to make sense of the story.? It takes 30 words to find out that the setting is a post-apocalyptic world.? The logline should lead off with the setting.
Better.
But…
“Careworn” seems extraneous.? He’s a survivor in? a post apocalyptic world — it goes without saying he’s “careworn”.? (Who in that world isn’t?)
And what’s the story hook?? What differentiates this from other films about post apocalyptic odysseys?? What unique twist do you have, what new thematic territory does your story cover that hasn’t already been covered in films like “Cargo” and “The Road”?