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steveylangSamurai
Posted: September 28, 20152015-09-28T15:05:37+10:00 2015-09-28T15:05:37+10:00In: Drama

Tortured by past mistakes and betrayals, an ex-con sets out to avenge the death of his best friend, but struggles to complete his mission when he discovers a boy that may be his son.

Tortured by past mistakes and betrayals, an ex-con sets out to avenge the death of his best friend, but struggles to complete his mission when he discovers a boy that may be his son.
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    1. priggy Logliner
      2015-09-28T19:20:37+10:00Added an answer on September 28, 2015 at 7:20 pm

      I’m not getting a clear clue as to what the story entails. Why does the discovery of the boy mean the ex-con struggles to complete his mission?

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    2. dpg Singularity
      2015-09-29T22:29:01+10:00Added an answer on September 29, 2015 at 10:29 pm

      As written, the logline presents 2 plots:? avenge a death,? discover whether the kid is his son.

      But a plot should be singular in issue, one main line of action.? Which in this case would seem to be vengeance.? In which case, the kid is a complication germane to the main action line? — IF the outcome of the quest for revenge is contingent on his resolving the identity of? the boy.

      So, if he fails to figure out whether the kid is his son, or if he figures out the kid is not his son, does this mean he will fail to achieve his primary objective goal of getting revenge?? If the answer is “no” then the kid story line is a distraction from, not a determinant of the outcome of the main story line.? Ideally, there should be a causal — not a casual — relationship between the matter of the kid and the quest for revenge.?

      He must satisfactorily resolve the “B” story about the boy in order to get revenge in the “A” story.? And it’s not clear that is the case.

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