When a Wiccan radio host chooses to cast a spell to assist a desperate listener, things go horrifyingly wrong, as she unleashes something far more sinister and thus loses the listener in the process. Then she must find a way to get the listener back, the only way being an action that would put her own life in danger.
grbrinkleyPenpusher
When a Wiccan radio host chooses to cast a spell to assist a desperate listener, things go horrifyingly wrong, as she unleashes something far more sinister and thus loses the listener in the process. Then she must find a way to get the listener back, the only way being an action that would put her own life in danger.
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Hi grbrinkley,
This is how I personally see the story:
A Wiccan radio host who unleashes something sinister and loses one of her audience when she casts a spell to assist her must now get her back by putting her own life in danger.
I hope this helps.
Another angle:
“A late-night Wiccan radio host sets out to rescue [a recently dumped] listener when her [retribution] spell unleashes something much more sinister.”
As a reader, the phrase “something far/much more sinister” is considered a teaser. Loglines are supposed to tell. Thus, I would rewrite to inject the sinister stakes to help the premise.
Make this yours, take care.