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A man with no memory is trapped in a mysterious hotel, controlled by an oppressive host who forces him to to catch a killer among the guests in exchange for the truth of his identity.
How do they know their memories are lost? I mean, how can anyone know they lost memories, that they need to get them back, if they can't remember? (The central conceit of the "Memento" is that the protagonist could form no new memories after being shot -- which happens to be medically factual. So thRead more
How do they know their memories are lost? I mean, how can anyone know they lost memories, that they need to get them back, if they can’t remember? (The central conceit of the “Memento” is that the protagonist could form no new memories after being shot — which happens to be medically factual. So the conceit is believable.) I hate to keep hammering on the point, but I, for one, am having difficulty suspending disbelief.
And why is it central to your story that they’re lost their memories? Being trapped in a surreal version of the Hotel California (“you can check out any time, but you can never leave”) would seem to be a sufficient dramatic problem in itself.
See lessWhen two escaped convicts get trapped on a runaway train, they must stop the train and evade the jail warden by being a team
Deepak Surendar: Is this logline the seed-thought of a story you are thinking of writing, or a logline based upon a script you have completed?
Deepak Surendar:
Is this logline the seed-thought of a story you are thinking of writing, or a logline based upon a script you have completed?
See lessWhen two escaped convicts get trapped on a runaway train, they must stop the train and evade the jail warden by being a team
"a rookie" ? Rookie what? First time convict? Is he innocent, too, or...?
“a rookie” ? Rookie what? First time convict? Is he innocent, too, or…?
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