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In 1892, an army captain is ordered to escort his erstwhile enemy, a dying Cheyenne chief, through hostile territory so he can be buried in his tribal lands.
Good questions and points.The army captain has no particular character flaw that jeopardizes the success of his mission.? He's a competent fighter and leader. The proof is that he just led a successful campaign to defeat the Cheyenne chief. A war in which atrocities were committed on both sides.So wRead more
Good questions and points.
The army captain has no particular character flaw that jeopardizes the success of his mission.? He’s a competent fighter and leader. The proof is that he just led a successful campaign to defeat the Cheyenne chief. A war in which atrocities were committed on both sides.
So when he’s ordered to reverse roles and protect rather than fight his erstwhile foe, he initially refuses to obey. ? But he’s on the verge of retiring; if he doesn’t obey, he’ll be expelled and won’t get his pension.? So he salutes and saddles up.
The reason the captain must escort the Cheyenne chief is because the journey home for the Cheyenne is through hostile Comanche tribal lands. Hostile for both the captain and the chief;? the Cheyenne and Comanche are enemies.
So maybe something like:
In 1892, an army captain reluctantly obeys his orders to escort his erstwhile bitter enemy, a dying Cheyenne chief, through hostile territory so he can be buried in his tribal lands.? (31 words)
Not the strongest logline with irresistible sizzle, I grant? you.? But the writer had the advantage of already being an industry insider with a proven track record as a writer and director. He wasn’t an outsider who had to deploy a logline to cross the castle moat, breach the gates, overcome the guards to get inside the Biz, get his script read — and produced.? He could promote the script through his agent and his industry network.
See lessWhen a prostitute of a wild west town is cut up, her friends hire an old formely retired gunslinger for vengance. – Unforgiven
Who is the protagonist in this story? The prostitute? One of her friends? Or the gunslinger? Whichever it is, write the logline from their perspective. >>>>> Formerly retired "Formerly" is unnecessary here. If he's retired and takes the job it is then a given that he is formerly retirRead more
Who is the protagonist in this story? The prostitute? One of her friends? Or the gunslinger? Whichever it is, write the logline from their perspective.
>>>>> Formerly retired
“Formerly” is unnecessary here. If he’s retired and takes the job it is then a given that he is formerly retired.
I want to know who cut her up too. Who is the antagonist? An outlaw? Or the sheriff?
I have seen the film so I’m reviewing this as if I haven’t.
See lessWhen a broke but aspiring law student working as a seat filler falls in love with a popular singer, he pretends to be a famous entertainment lawyer.
I haven't see the movie either, only know about it based upon what is available on IMDB.? But I am inclined to agree with mikepedley85 that the inciting incident probably ought to be framed in terms of the pop star mistaking his identity.Her mistaking him seems to be the event that creates the opporRead more
I haven’t see the movie either, only know about it based upon what is available on IMDB.? But I am inclined to agree with mikepedley85 that the inciting incident probably ought to be framed in terms of the pop star mistaking his identity.
Her mistaking him seems to be the event that creates the opportunity for him to crash the party, to become an industry insider.? Once he’s crashed the party, the plot is about what he must he do to maintain the charade, to not be exposed and ejected. The love relationship that develops between the two is, of course, the subplot that provides both opportunities and complications.
However, I have a different take on whether the current logline casts the character in an unfavorable light.? A? lot (most?)? Hollyweird players got to be players using some amount of pretense, dissimulation.? So they sympathize with, even admire, characters who can pull it off by B.S. and bluffing.? For them those attributes are not character flaws, but character strengths necessary to make it in a Darwinian competitive business. And I venture that audiences are willing to give a pass to characters faking it because they perceive the system is unfair, that the rules are rigged to keep outsiders (like them!) on the outside.
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