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When a spaceship transporting colonists on a 90 year journey to a distant planet malfunctions causing a passenger to awaken from hibernation early, he must find a way to resume hibernation or die of old age.
CraigDGriffiths:I've? flipped on my earlier position and now agree with you.? Because the story hook is embedded in the "B" story -- not the "A" story.? ? And in my book, the hook is the ace high trump card.? Sometimes playing that card requires transgressing a conventional logline rule.? I think thRead more
CraigDGriffiths:
I’ve? flipped on my earlier position and now agree with you.? Because the story hook is embedded in the “B” story — not the “A” story.? ? And in my book, the hook is the ace high trump card.? Sometimes playing that card requires transgressing a conventional logline rule.? I think this is one such instance.? So here’s my revised take:
Either:
When a spacecraft taking colonists to a distant planet malfunctions waking up a man 90 years early, he awakens a woman to relieve his loneliness.
(25 words)
Or:
When a spacecraft taking colonists to a distant planet malfunctions waking up a man 90 years early, he awakens a woman to relieve his loneliness, blames it on the malfunction, and begins to court her affection.
(32 words)
This story line renders the guy as an unsympathetic character.? Which I guess explains why it took 10 years for the script to launch as a film.? And why it failed to launch at the box office.
But, hey, at leasat the check for the screenwriter cleared the bank.
See lessWhen a 12 year old girl becomes under protection of a hitmen, she must learn the tools of the trade to avenge her parents assassinated by gangsters.
I've been mulling over this film recently and here's my take:When gangsters kill her parents, a 12-year old girl finds protection and a mentor in a hit man who agrees to her demand to be taught how to get revenge.(30 words)
I’ve been mulling over this film recently and here’s my take:
When gangsters kill her parents, a 12-year old girl finds protection and a mentor in a hit man who agrees to her demand to be taught how to get revenge.
(30 words)
See lessWhen a low life trickster loses his partner, he must perform the great con with a once legendary con artist to escape the dangerous ganster he stole money from.
The Fugitive is an excellent example of a protagonist who while fleeing is nonetheless in the driver's seat of the plot.? The protagonist, Dr, Richard Kimble, doesn't have to return to Chicago.? He would only put himself in greater jeopardy by doing so.But he returns anyway -- it's his call, his choRead more
The Fugitive is an excellent example of a protagonist who while fleeing is nonetheless in the driver’s seat of the plot.? The protagonist, Dr, Richard Kimble, doesn’t have to return to Chicago.? He would only put himself in greater jeopardy by doing so.
But he returns anyway — it’s his call, his choice — in order to pursue his objective goal, to find out who really murdered his wife and why.
I call this a “Damn the torpedoes, full speed ahead!” moment. (After?David Glasgow Farragut who gave that order in the Battle of Mobile Bay during the U.S. Civil War.)? IMHO, it’s one of the strongest choices a writer can give to a protagonist.
>>> looks more badass than the really is heheh
People in the The Biz have an inordinate affection for con artist characters because, I speculate, it’s a business where successful artists are also con artists.? They have to be:? manipulation is a? standard operating procedure.
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