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A soldier fighting in Vietnam is blackmailed by US Government agents into assassinating anti-establishment rock stars Jim Hendrix,? Jim Morrison and John Lennon.
The logline is listed as an historical genre story.? In historical genre stories, the plot is based upon or inspired by real events, by real people.Did US agents actually blackmail a soldier to assassinate anti-war celebrities? (And that is the more relevant way of tagging the targets. The context oRead more
The logline is listed as an historical genre story.? In historical genre stories, the plot is based upon or inspired by real events, by real people.
Did US agents actually blackmail a soldier to assassinate anti-war celebrities? (And that is the more relevant way of tagging the targets. The context of the story world is the Vietnam war . These celebrities weren’t just anti-establishment, they were antiwar.)? And what kind of “agents” were they, FBI , CIA or…?
If the story is not founded upon an actual historical character and incident, then it should be listed in another (fictional) genre category such as drama or action.
And why would the government guys have to resort to blackmailing someone (a negative incentive)? when there were plenty of gungho, pro-war soldiers who would be all to willing (positive? incentive) to target anti-war celebrities?? And after all, the carrot is a more effective and reliable incentive than a stick.
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Why would you switch bodies if you knew you'd suffer afterwards?
- Why would you switch bodies if you knew you’d suffer afterwards?
See lessAn old, abusive slave owner switches body with his slave who gives him a taste of his own medicine
Agreed with the above. It would be better if both slave and owner learn something. The lesson the owner undergoes is obvious, but the slave's isn't. What if after the slave inhabits the owner's body, he becomes hell-bent on revenge, gets it, but then wants more. The audience should be happy to see tRead more
Agreed with the above.
It would be better if both slave and owner learn something. The lesson the owner undergoes is obvious, but the slave’s isn’t.
What if after the slave inhabits the owner’s body, he becomes hell-bent on revenge, gets it, but then wants more. The audience should be happy to see the owner get his comeuppance, but then if structured well, things change around the mid-point. The slave ventures on a dark path, and the more he keeps trying to avenge the injustice he received, the more he realises that he’s crossed a line and is becoming as bad as his former tormentor.
Just a thought.
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