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When a father, just diagnosed with depression, learns that his sweetheart has an even more debilitating mental illness, he must evaluate the relationship and learn the importance of their love.
Have started again here: https://loglines.org/when-he-learns-that-his-partner-has-a-borderline-personality-disorder-a-depressed-guy-endeavours-to-fix-a-relationship-disrupted-by-a-cloud-of-mental-illness/
Have started again here:
https://loglines.org/when-he-learns-that-his-partner-has-a-borderline-personality-disorder-a-depressed-guy-endeavours-to-fix-a-relationship-disrupted-by-a-cloud-of-mental-illness/
See lessWhen an exceptional London policeman discover a cult of murderers in a remote English village, he and his clumsy partner must bring them to justice.
When an over-achiever cop is involuntarily transferred from a crime riddled city to a crime free village, he must convince the locals that a series of accidents are actually murders.
When an over-achiever cop is involuntarily transferred from a crime riddled city to a crime free village, he must convince the locals that a series of accidents are actually murders.
See lessAfter being augmented against her will, a street-girl from a futuristic city must avoid capture by both former allies as well as the wealthy caste — sparking a civil war in which only the strongest survive.
If Katniss Everdeen is not the hero, aka: the protagonist, aka: main character, of the "Hunger Games" saga -- who is? We are so obviously not on the same page as to the definition of basic terms, that I don't know what else to say. Except that by the dramatic conventions of modern cinema, while struRead more
If Katniss Everdeen is not the hero, aka: the protagonist, aka: main character, of the “Hunger Games” saga — who is?
We are so obviously not on the same page as to the definition of basic terms, that I don’t know what else to say. Except that by the dramatic conventions of modern cinema, while struggling to merely survive is a positive goal, it isn’t enough to sell a movie concept. It isn’t enough for a protagonist to escape the clutches of her tormentor, to run away. Eventually she must confront her antagonist (who, btw, is???) in a High Noon showdown, aka: the Obligatory Scene.
I’m not making this up as I go along. And neither are the others, FFF and Nir Shelter. Our concerns are informed by our knowledge of standard industry definitions and expectations.
I think you have a potentially interesting hook. I say potentially because “augmented” suggests something interesting, but I’m not clear as to what “augmentation” is. I think the nature of the augmentation needs to be made more specific.
And I suggest that the story that flows from that augmentation needs to be organic, causal. IOW: don’t throw in a civil war just because you think it spices up the plot. There ought to be a clear, logical, cause and effect relationship between her being “augmented” against her will and whatever happens after that. Plot points should fall in sequence like dominoes.
I, for one, am intrigued — but not hooked. I’m circling around the bait — but not taking a bite.
fwiw
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