A family trapped between our universe and another fights to save a surviving daughter from a violent relationship; their only hope is the guilt-ridden scientist responsible for their ghost-like state.

In my demented way of thinking, one measure of a logline’s effectiveness is its ability to generate an image in my mind of the situation it sets up.? And generate more images of potential events that might follow?from the plot the logline describes.? After all, film is a visual medium.

Alas, I, for one, can’t get a visual fix?on the situation or the plot of this logline.? What does “trapped between our universe and another” and “ghost-like state” ?mean?? What’s the visual on that?

Also, the logline defines ?the parents objective goal as to? save their daughter from a violent relationship.? But there seems to be?a bigger elephant-in-the-room dramatic problem that logline completely ignores as far as an objective goal:? the parent trapped between two universes — and how do they get out of that predicament?

And if the parents?only hope is a guilt-ridden scientist — who is the protagonist?? The parents or the scientist?

What is this story really about?? What is the plot? That the parents must rescue?their child?? Or is it that?the scientist?must rescue the daughter??Or that the scientist must rescue the parents?? Or that the scientist must rescue both the parents and the child?

fwiw