Sign Up Sign Up

Captcha Click on image to update the captcha.

Have an account? Sign In Now

Sign In Sign In

Forgot Password?

If you'd like access, Sign Up Here

Forgot Password Forgot Password

Lost your password? Please enter your email address. You will receive a link and will create a new password via email.

Captcha Click on image to update the captcha.

Have an account? Sign In Now

Sorry, you do not have permission to ask a question, You must login to ask a question.

Forgot Password?

To see everything, Sign Up Here

Please briefly explain why you feel this question should be reported.

Please briefly explain why you feel this answer should be reported.

Please briefly explain why you feel this user should be reported.

Logline It! Logo Logline It! Logo
Sign InSign Up

Logline It!

Logline It! Navigation

  • Sign Up
  • Logline Generator
  • Learn our simple Logline Formula
  • Search Loglines
Search
Post Your Logline

Mobile menu

Close
Post Your Logline
  • Signup
  • Sign Up
  • Logline Generator
  • Learn our simple Logline Formula
  • Search Loglines
jamesmichaelPenpusher
Posted: August 15, 20122012-08-15T15:49:11+10:00 2012-08-15T15:49:11+10:00In: Public

– A romp through family life and black-sheepedness in small town Tasmania in the 1980s. Based on the bestselling novel by DJ Connell

JULIAN CORKLE IS A FILTHY LIAR

  • 0
  • 3 3 Reviews
  • 659 Views
  • 0 Followers
  • 0
Share
  • Facebook

    Post a review
    Cancel reply

    You must login to add an answer.

    Forgot Password?

    To see everything, Sign Up Here

    3 Reviews

    • Voted
    • Oldest
    • Recent
    1. Karel Segers Logliner
      2012-08-18T23:33:00+10:00Added an answer on August 18, 2012 at 11:33 pm

      Some filmmakers have the bad habit of including references to ‘bestselling’ novels – even if they are not really.
      I don’t know how ‘bestselling’ this book was but I have never heard of it. In any case, filmgoers don’t care. If you have to rely on book readers only, your movie will fail. Every year, you can count the exceptions on one hand. Worldwide. We all know that ‘bestselling’ is a flexible notion. If an author makes it into any Top 10 list, they call themselves ‘bestselling’, even if it means they sold 3,000 copies. Big deal for a novel, not so for a movie audience.

      Finally, the logline doesn’t give us anything except for the setting – and we know that Tasmania has families and sheep.

      In other words, this is NOT a logline. For anyone other than those who know the book, there is NOTHING selling about it.

      • 0
      • Reply
      • Share
        Share
        • Share on Facebook
        • Share on Twitter
        • Share on LinkedIn
        • Share on WhatsApp
    2. 2012-08-22T01:04:59+10:00Added an answer on August 22, 2012 at 1:04 am

      What Karel said. And is “black-sheepedness” even a word?

      I’m guessing here that your protag is the black sheep of the family? So, he returns home (what forces him to go back home?) and has to navigate the choppy waters of family dynamics. And then what?

      There’s a reason this page exists: https://loglines.org/howto/

      • 0
      • Reply
      • Share
        Share
        • Share on Facebook
        • Share on Twitter
        • Share on LinkedIn
        • Share on WhatsApp
    3. 2012-08-22T03:33:10+10:00Added an answer on August 22, 2012 at 3:33 am

      To the best of my knowledge Tasmania is an island state of Australian not a town. Does the black sheep of the family come home and romp through the family. Who is doing the romping and what does that have to do with the black sheep. This log line leaves me guessing what the story is about and my guess is that I wouldn?t go see this film.

      • 0
      • Reply
      • Share
        Share
        • Share on Facebook
        • Share on Twitter
        • Share on LinkedIn
        • Share on WhatsApp

    Sidebar

    Stats

    • Loglines 8,000
    • Reviews 32,189
    • Best Reviews 629
    • Users 3,720

    screenwriting courses

    Adv 120x600

    aalan

    Explore

    • Signup

    Footer

    © 2022 Karel Segers. All Rights Reserved
    With Love from Immersion Screenwriting.