A young, passionate-about-art, ambitious student signs up for an art class in which he paints several masterpieces that reflect his original ideas. He manages to finish one painting a class, but his strict and negative professor breaks his canvases and paints an ?X? on them because he doesn?t think they?re good enough, preventing the artist from unleashing his potential.
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A young, passionate-about-art, ambitious student signs up for an art class in which he paints several masterpieces that reflect his original ideas. He manages to finish one painting a class, but his strict and negative professor breaks his canvases and paints an ?X? on them because he doesn?t think they?re good enough, preventing the artist from unleashing his potential.
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The logline sets up a problem, but not a plot.? And it presents the protagonist as a passive victim of others.? Well, a protagonist can start out that way, but during the course of the story he should ?become a proactive agent of his own destiny.?? The switch from being passive to proactive?can be a framework?for?a plot.
So ?what?does?the aspiring artists do –what becomes his objective goal?– as a result of the overly critical teacher?