Sign Up Sign Up

Captcha Click on image to update the captcha.

Have an account? Sign In Now

Sign In Sign In

Forgot Password?

If you'd like access, Sign Up Here

Forgot Password Forgot Password

Lost your password? Please enter your email address. You will receive a link and will create a new password via email.

Captcha Click on image to update the captcha.

Have an account? Sign In Now

Sorry, you do not have permission to ask a question, You must login to ask a question.

Forgot Password?

To see everything, Sign Up Here

Please briefly explain why you feel this question should be reported.

Please briefly explain why you feel this answer should be reported.

Please briefly explain why you feel this user should be reported.

Logline It! Logo Logline It! Logo
Sign InSign Up

Logline It!

Logline It! Navigation

  • Sign Up
  • Logline Generator
  • Learn our simple Logline Formula
  • Search Loglines
Search
Post Your Logline

Mobile menu

Close
Post Your Logline
  • Signup
  • Sign Up
  • Logline Generator
  • Learn our simple Logline Formula
  • Search Loglines
dpgSingularity
Posted: April 13, 20192019-04-13T08:25:24+10:00 2019-04-13T08:25:24+10:00In: Examples

After living with the lie for 30 years that she heroically assassinated a notorious Nazi war criminal, a new clue gives a retired Mossad agent one last chance to finish the job she botched.

After living with the lie for 30 years that she heroically assassinated a notorious Nazi war criminal, a new clue gives a retired Mossad agent one last chance to finish the job she botched.
  • 0
  • 3 3 Reviews
  • 416 Views
  • 0 Followers
  • 0
Share
  • Facebook

    Post a review
    Cancel reply

    You must login to add an answer.

    Forgot Password?

    To see everything, Sign Up Here

    3 Reviews

    • Voted
    • Oldest
    • Recent
    1. dpg Singularity
      2019-04-30T05:29:49+10:00Added an answer on April 30, 2019 at 5:29 am

      Part of the core premise is not just that she’s coming out of retirement to hunt down the Nazi criminal, but that she’s been living a lie for 30 years, pretending that the mission was already accomplished.? And it’s her fault that the mission failed.? ?I deem that to be the hook.? What’s at stake is not just terminating with extreme prejudice a very old Nazi war criminal, but of reclaiming her honor,? her honesty, of righting her wrong.

      • 0
      • Reply
      • Share
        Share
        • Share on Facebook
        • Share on Twitter
        • Share on LinkedIn
        • Share on WhatsApp
    2. jelewis8 Logliner
      2019-04-30T04:55:55+10:00Added an answer on April 30, 2019 at 4:55 am

      Intriguing!

      I’m unsure if you actually need to include the “hook” (the lie) in this logline, as it seems like it might unnecessarily complicate the premise you’re selling.

      The core premise is this Mossad agent coming out of retirement to hunt down and kill the last Nazi war criminal who ever managed to evade/escape her. It might be important to the script that she pretended that she had killed the Nazi 30 years go. It doesn’t really change the logline though.

      • 0
      • Reply
      • Share
        Share
        • Share on Facebook
        • Share on Twitter
        • Share on LinkedIn
        • Share on WhatsApp
    3. dpg Singularity
      2019-04-13T10:48:07+10:00Added an answer on April 13, 2019 at 10:48 am

      This is a logline for marketing the script.

      A logline for developing the script is another matter because the story jumps back and forth between the present and? the past. (For more on the distinction between the two, see? Development vs. Marketing under the discussion of the basic formula.)

      And the Big Reveal, that she failed in her mission, was responsible for the Nazi? escaping , doesn’t come until deep into the 2nd Act.? Normally, a logline? shouldn’t disclose a Big Reveal, particularly one that occurs so late in the story.? But the Big Reveal — that she botched the job, hence, that she’s been living a lie for 30 years — is the story hook.? And IMHO, when it comes to marketing a script. the story hook is the most? important element; it trumps all the usual “rules”.

      Further, there are complications and a Big Twist in the 3rd Act that keep the plot riding the up escalator in terms of tension and suspense.

      ?

      • 0
      • Reply
      • Share
        Share
        • Share on Facebook
        • Share on Twitter
        • Share on LinkedIn
        • Share on WhatsApp

    Sidebar

    Stats

    • Loglines 7,997
    • Reviews 32,189
    • Best Reviews 629
    • Users 3,710

    screenwriting courses

    Adv 120x600

    aalan

    Explore

    • Signup

    Footer

    © 2022 Karel Segers. All Rights Reserved
    With Love from Immersion Screenwriting.