An outcast sea snail goes against his predatorial upbringing to find a new life with his biological rivals; the soldier crabs.
alexandrablack24Penpusher
An outcast sea snail goes against his predatorial upbringing to find a new life with his biological rivals; the soldier crabs.
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This is all set-up
What is your lead characters goal?
Agreed with Richiev.
Also, why? What’s motivating him to do this?
You might need a goal an and obstacle. But wil high concept loglines that sometimes isn?t needed.
The winner of a recent Logline competition was ?A man clones his wife so he can fall in love with her again?.
As a revision:
After an altercation with his father, an outcast sea snail goes against his predatorial upbringing to find a new life with his biological rivals; the soldier crabs.
Is this addition making the logline stronger or weaker?
Thanks so much for everyone’s feedback.
You didn’t add the major story elements we recommended. Study the comments above, and perhaps other posts on this site, to get a better understanding of what we’re talking about.
In short, a logline needs to describe a plot. A plot is a sequence of events that starts at the inciting incident and ends with a goal. “…an altercation with his father…” could be an inciting incident, but in this case it isn’t directly related to his goal (which is also too vague to count as a goal by the way), that makes it not part of the same sequence of events – in other words, this isn’t a very good inciting incident.
What does “…find a new life…” mean in rpractical terms? A new house? New friends? Be more specific.
Consider Nemo, after a little argument with his father he’s whisked away, by accident, far from his home. The inciting incident was not the argument with his father but getting lost was. As a result of getting lost, his father had to go on a quest — all together now — Finding Nemo.