WHIPLASH
Under the director of a prestigious but borderline abusive instructor, a young college student begins to lose his humanity in his quest to become the core drummer of the top jazz orchestra in the country.
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Firstly, the wording of this logline is teeth-achingly clunky.
Secondly, it’s a hugely improbable stretch to believe that one’s humanity could be lost just by being an instrument player for any orchestra. (In “Black Swan” the sheer physical demands of being a premier ballerina made loss of humanity a credible possibility. But not here.)
Fundamentally, the dynamic of ‘bad ass’ instructor and young trainee can certainly work. But not in this setting. A better setting would be either military training or medical school. Or, perhaps, some kind of cutting edge and risky scientific research.
Steven Fernandez (Judge)