A delightfully wayward filmaker travels Europe’s film festivals with her unimpressed daughter, spliting up each must conquer their demons and learn the language of love before returning home to Toronto .

This logline raises the suspicion that there actually is no story.

If the inciting incident were that the filmmaker’s daughter leaves her, perhaps this could be a worthy inciting incident. Even better would be if she’s too young to be travelling on her own.

In this case, the story goal could be for the filmmaker to find her daugher.

However, the logline doesn’t really promise any of this. All it does is talk about the inner journey, which is the exact part a film usually does NOT sell on…