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thedarkhorseSamurai
Series logline: In 1961, a British double agent, retired and living under a new alias on the French Riviera, must thwart a corrupt government agent secretly leaking information to an underground organisation of Nazis, men he sabotaged many years ago.
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My original logline:?A retired spy living the high life on the French Riviera must confront his dark, shameful past when he is blackmailed into entrapping a Nazi war criminal.
Though it’s fair to say this is closer to the pilot logline. Also, I rewrote the script last weekend so it’s changed a bit now.
I?m very intrigued by this premise. Love the genre myself. But still a bit confused. Is he basically being made to do the right thing (catch a Nazi)? The dark past stuff is great for a broken type hero but shouldn?t he have a good guy goal?
Here?s a thought melding your two long lines (don?t know if it matches your script):
?A retired spy living the highlife on the French Riveria, must return to his old dangerous games to catch a Nazi war criminal. ?(23 words)
And you can still add a couple words about what pulls him back in (inciting incident), by starting logline with ?After blah blah blah, a retired spy ….?
I like CkHarper’s rewrite.? ?A plot is a road? the protagonist must drive along and? he can’t? do that by looking only through the rear view mirror.
Thanks ckharper.
I like your one. I?ll have to add the date so people don?t think the villain is very old.
?In 1961, a retired spy living the highlife on the French Riviera, must return to his old dangerous games to catch a Nazi war criminal?.
Nice and short too.