Don’t Call Me Crazy
Tired of being called crazy, a mother haunted by the ghost of her child stumbles into a sinister form of therapy from a group of deranged women.
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As I began reading the logline, I had to keep on reading it, due to my curiousity of what could this “sinister form of therapy” could be which is good. It means you’ve grabbed my attention from the start. Elements aren’t missing from your logline and if I was presented with a proposal or query letter for this script I would give it a chance. Good job.
As I began reading the logline, I had to keep on reading it, due to my curiousity of what could this “sinister form of therapy” could be which is good. It means you’ve grabbed my attention from the start. Elements aren’t missing from your logline and if I was presented with a proposal or query letter for this script I would give it a chance. Good job.
Tormented by the ghost of her child, a young woman seeks solace from a dangerous source: ____
I feel like I want one more shaping fact to get a more definite picture of the story.
Tormented by the ghost of her child, a young woman seeks solace from a dangerous source: ____
I feel like I want one more shaping fact to get a more definite picture of the story.
The logline sets up a situation with potential for interesting dramatic conflict, but it doesn’t tell us where the story is going. It doesn’t answer one of the fundamental questions of a logline: What is the main character’s objective goal? What does she want to do after she stumbles into a sinister form of therapy? What must she do?
And a logline should also answer the question: who opposes her — who is the antagonist? And the question: what’s at stake? What does she stand to gain if she succeeds, lose or suffer if she fails?
The logline sets up a situation with potential for interesting dramatic conflict, but it doesn’t tell us where the story is going. It doesn’t answer one of the fundamental questions of a logline: What is the main character’s objective goal? What does she want to do after she stumbles into a sinister form of therapy? What must she do?
And a logline should also answer the question: who opposes her — who is the antagonist? And the question: what’s at stake? What does she stand to gain if she succeeds, lose or suffer if she fails?