Sign Up Sign Up

Captcha Click on image to update the captcha.

Have an account? Sign In Now

Sign In Sign In

Forgot Password?

If you'd like access, Sign Up Here

Forgot Password Forgot Password

Lost your password? Please enter your email address. You will receive a link and will create a new password via email.

Captcha Click on image to update the captcha.

Have an account? Sign In Now

Sorry, you do not have permission to ask a question, You must login to ask a question.

Forgot Password?

To see everything, Sign Up Here

Please briefly explain why you feel this question should be reported.

Please briefly explain why you feel this answer should be reported.

Please briefly explain why you feel this user should be reported.

Logline It! Logo Logline It! Logo
Sign InSign Up

Logline It!

Logline It! Navigation

  • Sign Up
  • Logline Generator
  • Learn our simple Logline Formula
  • Search Loglines
Search
Post Your Logline

Mobile menu

Close
Post Your Logline
  • Signup
  • Sign Up
  • Logline Generator
  • Learn our simple Logline Formula
  • Search Loglines
variableUberwriter
Posted: April 10, 20182018-04-10T01:57:49+10:00 2018-04-10T01:57:49+10:00In: Thriller

When a female editor working overnight with her careerist cameraman discovers he’s the perpetrator in his acquired murder footage, she must safely evacuate the studio

Title: shutter speed

So a psychopathic cameraman is killing innocent homeless people and documenting them under “mysterious serial killings”

When he learns that she knows his secret (around midpoint??) let’s just say he’s willing to do anything for his bright future…
My question is: what are they doing in the first half of Act II? What do you suggest happens in pages 25 to 55 for a 110 page script? Do they flirt each other before she discovers (while editing) that he’s a sonofab**ch

It doesn’t create a sense of urgency and danger. She’s working night shift with a psychopathic killer which isn’t expressed by her simple goal “to safely evacuate the studio”

thanks for your time

  • 1
  • 2 2 Reviews
  • 574 Views
  • 0 Followers
  • 0
Share
  • Facebook

    Post a review
    Cancel reply

    You must login to add an answer.

    Forgot Password?

    To see everything, Sign Up Here

    2 Reviews

    • Voted
    • Oldest
    • Recent
    1. Richiev Singularity
      2018-04-10T04:23:17+10:00Added an answer on April 10, 2018 at 4:23 am

      I am assuming she looks at the wrong footage.
      I think this story works, especially if you give a good reason why the building is on lockdown and there are no security?personnel?around
      Here is an attempt, I am not sure it is a final logline but hopefully it is a step in the right direction:
      ———————————————
      “When she discovers her cameraman is a murderer, a career editor working overnight must find a way to escape or be the star in the psychopaths latest snuff film.”

      • 0
      • Reply
      • Share
        Share
        • Share on Facebook
        • Share on Twitter
        • Share on LinkedIn
        • Share on WhatsApp
    2. dpg Singularity
      2018-04-10T07:07:26+10:00Added an answer on April 10, 2018 at 7:07 am

      variable:

      I think you have an intriguing story idea.? I suggest you expand the setting and time frame.? That is, make her a studio producer who becomes suspicious after time and again he’s the one who gets the scoop, who’s always the first on the scene.???”Nightcrawler” meets “American Psycho”.

      fwiw

       

      • 0
      • Reply
      • Share
        Share
        • Share on Facebook
        • Share on Twitter
        • Share on LinkedIn
        • Share on WhatsApp

    Sidebar

    Stats

    • Loglines 8,000
    • Reviews 32,189
    • Best Reviews 629
    • Users 3,715

    screenwriting courses

    Adv 120x600

    aalan

    Explore

    • Signup

    Footer

    © 2022 Karel Segers. All Rights Reserved
    With Love from Immersion Screenwriting.