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thedarkhorseSamurai
When a war veteran suffering PTSD goes on a rampage in the woods, his brother joins up with his friends to hunt him down – and must get to him first before the others kill him.
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Also – the working title for this was “KILL THE WICKED”. I wanted to make you think about what exactly is “wicked”. What is morally wrong.
I think if I had to pick an overriding theme: I’d go with “a necessary evil”. The pros and cons. That’s a potent place.
It’s a universal idea – that unlike Vietnam, will never date.
But yeah – I digress…
I really like ?Brothers? and ?Jacknife? for their portrayal of PTSD and that horrible grey area. Thanks for the recommendation.
I certainly don?t want to portray every war vet as a ?damaged flower?. I’ve spoken to one who absolutely hated the idea that all war vets are “damaged flowers”. And I’ve spoken to another who quite simply wanted to hold a gun and kill someone. (You do get bad apples where ever you go.)
There?s also a tinge of the film ?Casualties of War? here too ? alpha male with a gun, starts power-tripping, etc.
It?s less to do with?Vietnam and more to do with man?s inhumanity to man. It could even be an exploration into what it means to hold a gun – the power, the responsibility, etc.
Man?s relationship to violence. Masculinity. How we repeat the same mistakes.
There?s a lot of themes and ideas here ? but I want to do the Mamet thing of not focusing (so much) on theme. Or atleast I?d prefer to have ONE overriding theme as opposed to shoehorning a bunch of things where they don?t belong. Just let that stuff organically happen.
To add to earlier, I think ?Taxi Driver? never really mentions Vietnam either. Or at least I don?t think so.
Admittedly, this is quite a universal idea.?Could be any war really.
I had another idea that the war vet?s girlfriend could be a pacifist, anti-war hippie or at someone who has a different ideology (is that the right word?) Perhaps he comes back and she?s changed. She?s anti-war. Hmm ? very close to ?Born on the Fourth of July? and ?Forrest Gump? here.
Anyways ? I just imagined it would be late 70s. Vietnam war. To some extent ? it?s in the vein of the those films from the 70s. (Deliverance, Straw Dogs, etc.) A nice little homage to that kind of film-making (which I know ? is obsolete now).
Another thing is that America is in an interesting place 70s-80s. Turbulent. How much that has to do with the story ? I?m not sure yet.
But yeah ? to answer the original question? that?s why I never considered cell phones ha.
Thanks for the feedback!
>>>These ?friends? are all gung-ho, trigger happy and perhaps just as worse as the war-vet-suffering-ptsd. …it becomes increasingly clear the others will murder him and perform a ?necessary evil?.
Have you read? or heard of “Achilles in Vietnam”? of “Odysseus in America” both by Jonathan Shay, staff shrink in the Veterans Department.? The books are based upon his therapeutic work with hundreds of Vietnam Vets who suffered acute, chronic PTSD.?? Not movie version vets, but the genuine vets. Strongly recommend.
IMHO, Vietnam is so yesterday.? Who cares anymore? Today’s veteran? and war movies are? set in the context of the endless wars in the Middle East.
What knowledge of the Vietnam War do most people living today have about that war??? What emotional connection do you expect a contemporary audience to have with either the situation or the characters??? What new insight, what unique perspective does this story bring to the plight of Vietnam Vets that hasn’t been explored in any of other Vietnam war era films?
Why will his ?friends? murder him?? Why won?t his friends to the more rational and common sense act of notifying the brother (by cellphone) that they?ve located him so he can join them and defuse the situation?
This is set post-Vietnam. We’ll say early 80s. So – no cellphones.
It’s the brother’s friends not the war vets friends. However – they’re all war vets. I wasn’t sure how to mention that.?
These “friends” are all gung-ho, trigger happy, power-tripping and clearly just as damaged as the war-vet-suffering-ptsd. It’s a grey area. They’re not out to “murder” him. They’re out to hunt him down.?
However – it becomes increasingly clear the others will murder him and perform a “necessary evil”. They’ll do whatever they need to do to protect their small town.
In my opinion – I’m conjuring up all the wrong images with this logline. I think there’s something here – just not with this logline. It’s quite lazy I think. It’s not doing enough.
Why will his “friends” murder him?? Why won’t the do the more rational and common sense act of notifying the brother (by cellphone) that they’ve located him so he can join them and defuse the situation?? (I use “friends” in quotes because what kind of friends are they if they intend to kill a his brother?)