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LeviathanSamurai
Posted: March 19, 20182018-03-19T13:03:25+10:00 2018-03-19T13:03:25+10:00In: Action

When an abusive, powerful sniper surfaces to take back his ex-girlfriend, the godfather reaches out to a former assassin to defend her until the sniper is dead.

When an abusive, powerful sniper surfaces to take back his ex-girlfriend, the godfather reaches out to a former assassin to defend her until the sniper is dead.
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    5 Reviews

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    1. CraigDGriffiths Uberwriter
      2018-03-19T14:37:17+10:00Added an answer on March 19, 2018 at 2:37 pm

      A former sniper is tasked by The Godfather to protect his daughter from her sniper ex-boyfriend.

      The add the complexity. You had burried the story a little bit. I moved it up front.

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    2. FreeWill Logliner
      2018-03-19T16:05:09+10:00Added an answer on March 19, 2018 at 4:05 pm

      Agree with CraigDGriffiths – “until the sniper is dead” is unnecessary, we don’t need to know how it ends. Also, he repositioned the protagonist as the assassin doing the defending, where your original logline has the abusive sniper as the protagonist.

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    3. variable Uberwriter
      2018-03-19T21:10:10+10:00Added an answer on March 19, 2018 at 9:10 pm

      sniper-sniper gameplay seems dull..
      otherwise the structure seems just fine!
      good luck

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    4. Valentin Samurai
      2018-03-20T04:52:26+10:00Added an answer on March 20, 2018 at 4:52 am

      When a deranged sniper starts stalking his ex-girlfriend, a former ninja turned Buddhist monk is tasked by her Godfather to protect her.

      I like the idea that the hero is a reformed character, and has left his violent past behind. The Godfather is now arm twisting him back into a life he chose to leave. You owe me that for saving your life… The usual, but still effective reluctant hero.

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    5. Neer Shelter Singularity
      2018-03-20T10:46:04+10:00Added an answer on March 20, 2018 at 10:46 am

      Clarity is the most effective characteristic of a logline – not only will it help the reader understand the story but it also indicates that the writer can communicate ideas in a professional manner.

      This logline lacks clarity. Read your logline through the lens of a time-poor executive lacking any and all prior knowledge of the story at hand – you’ll be amazed at what you find.

      For example:
      Who is the main character the sniper, ex girlfriend or assassin? What is the main goal in the plot? To kill the girl? To kill the sniper? Or to kill the assassin?
      “…an abusive, powerful sniper…” – Abusive? Towards whom?? What is a powerful sniper? Is he strong? Is he a top marksman (evident by his profession…)? Is his weapon of choice powerful?
      “…surfaces…” – Is this literal or figurative? Where from?
      “…take back his ex-girlfriend…” – Take her back to where? Does he want to rekindle the relationship or force her to live with him under threat of death? How is he being a sniper, and a powerful one at that, related to a romantic relationship?
      “…the Godfather…” – Don’t. Just don’t use that phrase. The words ‘The Godfather’ has such a strong association with one of the most well established franchises in film history that just the mere mention of those two words will throw off any decision maker.
      “…a former assassin to defend her until the sniper is dead…” – ‘Until’ makes no sense here, it’s a case of one killer killing another, end of story.

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