Nobody Listens to Philip.
When pure evil responds to the Arecibo message, a lowly NASA clerk must convince his superiors that planet Earth is facing doomsday, and nobody cares.
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What I’m being promised here is a movie in which someone is trying to convince someone else.
The interesting part of the movie I (and probably everyone else) want to see is not the convincing but the action that will follow once they are convinced.
Or else, perhaps it’s a HIGH NOON in which the hero tries to rally support against the clock but ends up having to face evil himself.
Another problem, however, is that ‘doomsday’ is too vague, as is ‘pure evil’.
Plus, I’m afraid that most people don’t know what Arecibo means and won’t bother looking it up.
Perhaps try something along the lines of “When an evil extraterrestrial force responds to a message sent into space by humans, …” and then be more specific about the type of events that unfold.
+1 on the above.
Although ‘pure evil’ could very well be one the logline seams to lack an Antagonist. This is because the story according to the logline appears to take place before the evil gets to Earth and is more about the clerk getting through to his superiors, in which case who is the bad guy? Or what is the obstacle?
If the Antagonist is the ‘pure evil’ then as mentioned it needs a clearer definition of how it is the antagonistic force to raise the stakes.
Nir.
Thank you Nir. You’ve just reminded me of one of my own key rules: the antagonist must never be faceless.
Initially, the antagonists can be the superiors (see JAWS) but ultimately there will be a standoff with the alien baddies and we need to know what sort of creatures they are and what exactly their plan is.
Yup nothing like a good bad guy…
Thanks guys, It’s all very true.
I’ll certainly do some work with this one. You’re right, Karel + Nir, the story isn’t going to be all about the protagonist trying to convince everybody of the truth, and I guess I only used the named the Arecibo message to keep my word count down, but true. Not everyone knows that stuff and it’d certainly lose a lot of people’s interest if they were reading my pitch.
I was originally planning to have my antagonist literally faceless throughout the film, and only be represented via symbolism…Does that count? He was going to talk directly to the protagonist via ‘hacked’ televisions and other electrical equipment…So many things I can’t fit into 25 words. Believe it or not this is meant to be a comedy.
I’ll post my updated version of the logline as a reply when I get my shit together. Cheers guys.
and I guess I only named the Arecibo message…*
Hi Aidanthedude.
A faceless AN is hard to pull off but can be done.
The force of antagonism, as you probably know, should always be present in order to drive the plot and a physical presence can be substituted by a either a proxy or it’s effective power.
A good example is the ‘Fifth Element’ or ‘The Usual Suspect’.