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When down-to-earth Nadya parts ways with her frivolous sister, following their mother's death, she resigns herself to a life of toil and loneliness. So when love comes to her unexpectedly, even amidst the chaos of the Russian revolution, she takes hold of it with both hands. But can her newfound romance survive his lingering infatuation with a long-lost beauty destined to resurface?
I can come to terms with the need to reign in some of the wordiness. However, the story itself does need to be modified. The focus in most romantic dramas is the emotional journey. Of course, this is reflected in their actions, no argument there. In my question concerning the antagonists of Pride anRead more
I can come to terms with the need to reign in some of the wordiness. However, the story itself does need to be modified. The focus in most romantic dramas is the emotional journey. Of course, this is reflected in their actions, no argument there.
In my question concerning the antagonists of Pride and Prejudice, I simply meant that bigger isn’t always better, whether it be a novel or a movie. Elizabeth Bennet’s struggles are relatable. Not everyone has fought ih a revolution, but we’ve all dealt with people that make life difficult.
I enjoy a big budget action flick as much as the next person, but I still think there is a place for the classics. Afterall, at the heart of every good movie there’s an emotional journey, even a big budget action flick.
See lessWhen down-to-earth Nadya parts ways with her frivolous sister, following their mother's death, she resigns herself to a life of toil and loneliness. So when love comes to her unexpectedly, even amidst the chaos of the Russian revolution, she takes hold of it with both hands. But can her newfound romance survive his lingering infatuation with a long-lost beauty destined to resurface?
I agree with you completely concerning Jane Austen. The author of the original novel from which I have adapted my screenplay is certainly less known, but by no means a nobody. Her pen name was L.T. Meade and she was a highly prolific writer producing around 300 books in her lifetime. The book whichRead more
I agree with you completely concerning Jane Austen. The author of the original novel from which I have adapted my screenplay is certainly less known, but by no means a nobody. Her pen name was L.T. Meade and she was a highly prolific writer producing around 300 books in her lifetime. The book which I have adapted is The Heart of Gold. She was feminist and al;most all of her works feature a strong female lead.
In a way the dilema does compare to that of Gatsby. I think the story endures because it’s so much more relatable than the traditional “happily ever after”. Who hasn’t had a crush on someone only to find out in the long run that they weren’t worth the time of day?
I know the story isn’t edgy, but I know it has the potential for success in it’s genre. Is this genre extinct? Pride and Predjudice, Gatsby, Anna Karenina, Atonement, Jane Eyre. I think not.
I’m not looking to modify the plot of the screenplay, only to create a logline that best piques one’s interest in it. Other comments state that it’s too wordy, would you agree?
See lessWhen down-to-earth Nadya parts ways with her frivolous sister, following their mother's death, she resigns herself to a life of toil and loneliness. So when love comes to her unexpectedly, even amidst the chaos of the Russian revolution, she takes hold of it with both hands. But can her newfound romance survive his lingering infatuation with a long-lost beauty destined to resurface?
I agree with you completely concerning Jane Austen. The author of the original novel from which I have adapted my screenplay is certainly less known, but by no means a nobody. Her pen name was L.T. Meade and she was a highly prolific writer producing around 300 books in her lifetime. The book whichRead more
I agree with you completely concerning Jane Austen. The author of the original novel from which I have adapted my screenplay is certainly less known, but by no means a nobody. Her pen name was L.T. Meade and she was a highly prolific writer producing around 300 books in her lifetime. The book which I have adapted is The Heart of Gold. She was feminist and al;most all of her works feature a strong female lead.
In a way the dilema does compare to that of Gatsby. I think the story endures because it’s so much more relatable than the traditional “happily ever after”. Who hasn’t had a crush on someone only to find out in the long run that they weren’t worth the time of day?
I know the story isn’t edgy, but I know it has the potential for success in it’s genre. Is this genre extinct? Pride and Predjudice, Gatsby, Anna Karenina, Atonement, Jane Eyre. I think not.
I’m not looking to modify the plot of the screenplay, only to create a logline that best piques one’s interest in it. Other comments state that it’s too wordy, would you agree?
See less