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Starbuck is full of himself according to his dead father, mother and especially sister. He runs into walls all the time, but deep down he just wants to be a good man. That begins to show when he meets Paris, a young lady, working on her bucket list.
The usual m.o. in a logline is to NOT name the protagonist.? What matters in a logline is a character's role in the plot -- what they do -- not what their name is. I certainly see no reason why this logline merits being an exception to that rule.Instead of specifying names of characters, what the loRead more
The usual m.o. in a logline is to NOT name the protagonist.? What matters in a logline is a character’s role in the plot — what they do — not what their name is. I certainly see no reason why this logline merits being an exception to that rule.
Instead of specifying names of characters, what the logline needs? to do is specify a plot.? It needs to answer the basic questions: What is the protagonist’s objective goal?? Who/what opposes him in his struggle to attain that objective goal?? What are the stakes — what does he stand to win if he attains his objective goal, lose if he fails?
See lessAfter government-testing a sexual performance pill goes wrong, an easy-pleasing business gigolo is down to his last bath of produced sperm cells. He must not “release” if he eventually wants a family, but his high-perk job may be in danger if he does not.
There's just one problem with the gigolo's problem --it's not a seemingly insurmountable? dramatic problem. There exists a well-known, bona fide, time-tested and viable solution:? "release" and freeze the sperm? for later impregnation.
There’s just one problem with the gigolo’s problem –it’s not a seemingly insurmountable? dramatic problem. There exists a well-known, bona fide, time-tested and viable solution:? “release” and freeze the sperm? for later impregnation.
See lessWhen a midnight-show radio host receives an anonymous hint about a mysterious murder, he sets out to find the real killer and needs to convince the police they’re after the wrong person.
The premise has possibilities except there does not appear to be a compelling dramatic reason for the radio host to pursue the anonymous tip.? Mere curiosity isn't enough.? What is his personal stake?? What's the? trip wire in his mind that the tip sets off that compels him to find the real killer??Read more
The premise has possibilities except there does not appear to be a compelling dramatic reason for the radio host to pursue the anonymous tip.? Mere curiosity isn’t enough.? What is his personal stake?? What’s the? trip wire in his mind that the tip sets off that compels him to find the real killer?? Why is he the only one who cares enough to follow up on the tip?
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