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As Nazi forces ready a counterattack after the first wave of the Warsaw Uprising, a scrappy Polish courier must cross the occupied city with three boy-scouts turned soldiers to recruit their battalion for a dangerous mission — liberate a concentration camp before the SS can kill its inmates.
BTW: assuming that in real space and time, it was a just a troop of Polish boys, I don't think it mandatory to designate a main character in the logline. It could be an ensemble story. (Unless there was an alpha character, a prime mover who was responsible for galvanizing the group and lead the libeRead more
BTW: assuming that in real space and time, it was a just a troop of Polish boys, I don’t think it mandatory to designate a main character in the logline. It could be an ensemble story. (Unless there was an alpha character, a prime mover who was responsible for galvanizing the group and lead the liberation attempt.)
A high concept story sells itself without needing to slavishly adhere to all the usual rules for constructing a logline.
See lessAs Nazi forces ready a counterattack after the first wave of the Warsaw Uprising, a scrappy Polish courier must cross the occupied city with three boy-scouts turned soldiers to recruit their battalion for a dangerous mission — liberate a concentration camp before the SS can kill its inmates.
BTW: assuming that in real space and time, it was a just a troop of Polish boys, I don't think it mandatory to designate a main character in the logline. It could be an ensemble story. (Unless there was an alpha character, a prime mover who was responsible for galvanizing the group and lead the libeRead more
BTW: assuming that in real space and time, it was a just a troop of Polish boys, I don’t think it mandatory to designate a main character in the logline. It could be an ensemble story. (Unless there was an alpha character, a prime mover who was responsible for galvanizing the group and lead the liberation attempt.)
A high concept story sells itself without needing to slavishly adhere to all the usual rules for constructing a logline.
See lessWhen a submissive guy, working for the mafia, is caught by the police he must help them to put the mafia behind bars to get the girl he really wants.
Ultimately, he can't be trying to take down the mafia boss motivated exclusively by selfish love -- what's in it for him. He should be trying to rescue the girl he loves from the mafia boss (the boss has forced her to be his moll) She becomes the stakes character.
Ultimately, he can’t be trying to take down the mafia boss motivated exclusively by selfish love — what’s in it for him. He should be trying to rescue the girl he loves from the mafia boss (the boss has forced her to be his moll) She becomes the stakes character.
See less