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When her prestigious legal firm goes under for corruption, a successful lawyer finds herself reliving her troubled childhood when she reluctantly accepts a job as legal aid family court lawyer.
A thought.? If the firm was dissolved because of corruption, is it credible that she was utterly clueless, had no idea of the malfeasance?? Or is it likely she deliberately looked the other way, didn't ask probing questions?? That while she was not legally culpable, she did compromise her values inRead more
A thought.? If the firm was dissolved because of corruption, is it credible that she was utterly clueless, had no idea of the malfeasance?? Or is it likely she deliberately looked the other way, didn’t ask probing questions?? That while she was not legally culpable, she did compromise her values in pursuit of the big bucks?
If that’s in the backstory then would it make sense that her legal aid work is an atonement for her moral failure?? Could this is a redemption story?
fwiw
See lessWhen her prestigious legal firm goes under for corruption, a successful lawyer finds herself reliving her troubled childhood when she reluctantly accepts a job as legal aid family court lawyer.
I am intrigued that the protagonist is female and I think the revised version clarifies matters.?But I'm still not sure what the story is about.? What is her specific objective goal?? Prove her innocence? Defend a juvenile delinquent?? Not get killed?Of course, a protagonist can be juggling? multiplRead more
I am intrigued that the protagonist is female and I think the revised version clarifies matters.?
But I’m still not sure what the story is about.? What is her specific objective goal?? Prove her innocence? Defend a juvenile delinquent?? Not get killed?
Of course, a protagonist can be juggling? multiple problems, but a plot is about one dramatic problem, the most important one? The one that is the organizing, unifying principle for the entire script.? ?And the logline describing that plot should be framed in terms of that specific, singular, unifying dramatic problem.
>> “reliving her troubled childhood”
That relates to a subjective problem.? But loglines focus on objective problems.
And loglines? focus on the present and future (in terms of the objective goal) — not the past.? Think of the protagonist as sitting in the driver’s seat of a plot vehicle,? She may being pursued by events from her past.? Even so, she can’t drive the plot vehicle looking all the time at what is pursuing her through the rear view mirror.? She has to look out the front window — at the present and towards the future with only occasional and short glances through the rear view mirror.
A logline is about what she’s driving toward out the front window — not what she’s driving? from as glimpsed in the rear view mirror.
See lessNew Update feedback is much appreciated: A yakuza assassin defects after accepting a mission to escort a mysterious young girl. Uncovering her past, his mission becomes a desperate plight to save her.
>>>He?s saving her from other yakuza members because the girl is an important commodity to them.Commodity for what purpose? To be exploited as a prostitute? The logline needs to be more specific as to the nature of her jeopardy.And what is so special about this girl that induces the protagoRead more
>>>He?s saving her from other yakuza members because the girl is an important commodity to them.
Commodity for what purpose? To be exploited as a prostitute? The logline needs to be more specific as to the nature of her jeopardy.
And what is so special about this girl that induces the protagonist to violate his loyalty to the yakuza? Surely she is not the first girl to be “commodified”.? And surely he is not so naive as to not know that such commodification is part of the yakuza’s stock and trade.
So why this particular girl? And why now?
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