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In a future where winners are conceived using genetic engineering, a born loser buys the identity of a winner on the black market so he can fulfill his lifelong dream of space travel.
Probably worth writing. Seems rather a low aspiration though - if you're a winner now you would want a better mate, riches, power, and space travel. Otherwise, just make a boat load of money and you can go nowadays.
Probably worth writing. Seems rather a low aspiration though – if you’re a winner now you would want a better mate, riches, power, and space travel. Otherwise, just make a boat load of money and you can go nowadays.
See lessA self-made millionaire uses his ill-gotten fortune to win back his long lost love who has married into ‘old money’ and respectability.
and then? this is awesome, just it's half the logline. Don't give away the ending, but you have to describe at least some conflict. Otherwise, so what, he has ill-begotten gains, but his new old beau is a swindler too, and they have a great time? It's not just a hook, it telling what happens enoughRead more
and then? this is awesome, just it’s half the logline. Don’t give away the ending, but you have to describe at least some conflict. Otherwise, so what, he has ill-begotten gains, but his new old beau is a swindler too, and they have a great time?
It’s not just a hook, it telling what happens enough so someone wants to read the script. Needs more in there
See lessWhen a prominent Savannah, Georgia citizen is accused of murdering his male lover, a rude New York reporter must find out what really happened by interviewing the local residents who would prefer to hide the truth under a fa?ade of money, booze, and lovely manners.
Not bad! Certainly enough for a story is there. If you got a professional review, they would say never lead with the place. Here the driving force is the reporter so lead with that. When a grizzled NY reporter is sent to Savannah to uncover a gay murder, he/she/they realizes they must fight throughRead more
Not bad! Certainly enough for a story is there. If you got a professional review, they would say never lead with the place. Here the driving force is the reporter so lead with that. When a grizzled NY reporter is sent to Savannah to uncover a gay murder, he/she/they realizes they must fight through the pleasant Southern facade to get the awful, unbelievable truth.
Not saying that’s it, but if it’s about people then lead with people. And detail the conflict. And never have a list!
regardless, if you’ve written the script already, one of the rare thoughts that easily has enough for a feature
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