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After abandoning adoptive grandparents who later do not survive a crime he feels he instigated, a Texas senior must defeat hometown demons that follow him on his journey to find a place he can safely call home.
Singularity, I don't know what I can do to the log line to express what I just wrote - should I say the guy is a figment of his imagination?
Singularity, I don’t know what I can do to the log line to express what I just wrote – should I say the guy is a figment of his imagination?
See lessAfter abandoning adoptive grandparents who later do not survive a crime he feels he instigated, a Texas senior must defeat hometown demons that follow him on his journey to find a place he can safely call home.
Thank you! This is a great response. I would like to represent the "hometown demons" in the story as a character who keeps appearing. Yes, someone who represents his own feelings of guilt and fear for the town and family he abandoned. I'd like to write the character in as a person - antagonist - whoRead more
Thank you! This is a great response. I would like to represent the “hometown demons” in the story as a character who keeps appearing. Yes, someone who represents his own feelings of guilt and fear for the town and family he abandoned. I’d like to write the character in as a person – antagonist – who later is revealed as a figment of his imagination. The protagonist is always looking forward, but I want to set up a situation that when references to the past come up, the antagonist emerges too, but by the latter half this doesn’t happen as much, indicating he is no longer burdened by these feelings and he is straight on devoted to attaining his goal, which is to find a place he can call home – a place with permanence and friendships that he can feel loyal to. I like your reference to looking in the rear view mirror because this is a highway-based story.
In the story, some of the characters that surround his new home include an elderly man and an elderly woman – giving him an opportunity to have older souls enter his life?- perhaps a redemptive move on his part to make up for the perfect life he was not able to have with his adoptive grandparents.
The backstory is that his parents were killed (car accident) when he was very young, and his grandparents stepped in when he was 6 and took over the parenting. It all goes sour his senior year, and he is forced to leave home. A few attempts to establish a home life after that – when he’s on the run trying to plant roots – make his urge to claim a place as “home” stronger toward the end of the story.
See lessWhen a TV program is set to launch an expose on a commune, a member who sought refuge in the group because his grandfather’s murder was instigated by the media, devices a plan to sabotage the TV network and protect his identity.
He joins an off-grid media-free commune to hide out. The back story is complicated and I don't think it belongs in the log line. It involves an accusation by the press that his grandfather was gay, which led to the grandfather being killed by gay-bashers. The setting is the portrayal of small town TRead more
He joins an off-grid media-free commune to hide out. The back story is complicated and I don’t think it belongs in the log line. It involves an accusation by the press that his grandfather was gay, which led to the grandfather being killed by gay-bashers. The setting is the portrayal of small town TV stations crucifying people and deeply influencing the narrative. In the early media stories, they even accuse him, the grandson, as being guilty. He flees his small-town and hides out, and he obviously sees the “media” as being his enemy. This type of media crucifixion occurred in ?the movie A Cry in the Dark (The dingo took my baby) when the Murchison’s were accused of killing their kid. So, that’s the backstory. He likes the commune because no one asks personal questions and he can hide out. The twist is when the commune leadership agrees to have a TV crew do an expose on them. By sabotaging, he mainly spends time trying to convince the leadership not to let them into the commune, to the private areas. He ends up losing and is forced to engage the media – and he ultimately faces his family situation, publicly. I’ve had a hard time condensing this into a log line ?as you can see.
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