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Given the challenge of escorting colossal machines across hostile lands, a small group of unexpected heroes manage to have a lot of fun, get into a lot of trouble, and save the world.
... Yes, only to encounter the antagonist. But if you give away 'to much' in the logline the audience is not going to see the movie. "In preparation for imminent war against [adverb] X a small band of reckless heroes must escort colossal machines to orchestrate the ultimate defensive."
… Yes, only to encounter the antagonist. But if you give away ‘to much’ in the logline the audience is not going to see the movie.
See less“In preparation for imminent war against [adverb] X a small band of reckless heroes must escort colossal machines to orchestrate the ultimate defensive.”
When a stubborn secret agent wakes up in Eastern Europe trapped in the body of a reclusive female English teacher, the unlikely duo must set their differences aside to find the agent’s body before his former government employers, who want him dead, do.
Hey Knightrider, here?s me ?trying? to give you some good advice. (1) Pure out of movie logic, I would say the agent is a man and the schoolteacher a woman (romantic interest etc.), but the logline does not literally tell us the schoolteacher is a woman. (2) Shorten the sentence by killing your darlRead more
Hey Knightrider, here?s me ?trying? to give you some good advice. (1) Pure out of movie logic, I would say the agent is a man and the schoolteacher a woman (romantic interest etc.), but the logline does not literally tell us the schoolteacher is a woman. (2) Shorten the sentence by killing your darlings. Maybe split it up into two sentences. I would say this is a psycho thriller. If it is, maybe you give a way to much about the promise (although I like where this story is going). (3) By saying the duo discovers? you tell the audience their relation is already on ?speaking terms?? even before the audience has seen the movie.
See less“When a tentative secret agent wakes up trapped inside the body of a secretive school teacher, he’s forced to work with his inhospitable host to find out what happened to his own body.”
When a stubborn secret agent wakes up in Eastern Europe trapped in the body of a reclusive female English teacher, the unlikely duo must set their differences aside to find the agent’s body before his former government employers, who want him dead, do.
Hey Knightrider, here?s me ?trying? to give you some good advice. (1) Pure out of movie logic, I would say the agent is a man and the schoolteacher a woman (romantic interest etc.), but the logline does not literally tell us the schoolteacher is a woman. (2) Shorten the sentence by killing your darlRead more
Hey Knightrider, here?s me ?trying? to give you some good advice. (1) Pure out of movie logic, I would say the agent is a man and the schoolteacher a woman (romantic interest etc.), but the logline does not literally tell us the schoolteacher is a woman. (2) Shorten the sentence by killing your darlings. Maybe split it up into two sentences. I would say this is a psycho thriller. If it is, maybe you give a way to much about the promise (although I like where this story is going). (3) By saying the duo discovers? you tell the audience their relation is already on ?speaking terms?? even before the audience has seen the movie.
See less“When a tentative secret agent wakes up trapped inside the body of a secretive school teacher, he’s forced to work with his inhospitable host to find out what happened to his own body.”