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A retired cavalry soldier is forced to partner with a Cheyenne Indian to track down a serial killer who has kidnaped his daughter.
Maybe play up the idea that he's traumatized by something that the Native Americans did to him during the war so it contrasts with the idea that he has to team up with a Cheyenne Indian to save his daughter. Works for me, otherwise.
Maybe play up the idea that he’s traumatized by something that the Native Americans did to him during the war so it contrasts with the idea that he has to team up with a Cheyenne Indian to save his daughter. Works for me, otherwise.
See lessAfter a childhood of abuse, a young woman decides to write a memoir to help her heal.
It only takes one scene to show someone writing a memoir. If you start writing the script with this logline, you'll run out of story 3 pages in. You need a premise that can yield a bunch of unique scenes that are going to be full of conflict. Also, you have to be specific about how exactly the womanRead more
It only takes one scene to show someone writing a memoir. If you start writing the script with this logline, you’ll run out of story 3 pages in. You need a premise that can yield a bunch of unique scenes that are going to be full of conflict. Also, you have to be specific about how exactly the woman responds to her abuse. Is she afraid of being around men? Does she have trust issues in relationships? Does she harm herself? Each one of these would be a unique character and would be the starting point of a unique story. So instead of saying “abuse survivor”, if you say “an abuse survivor who has an eating disorder”,? it helps the audience grasp the conflict better.
When his former lover is killed, an immortal cowboy rises from the dead teams up with a teenage girl to kill those are responsible.
If the protagonist is immortal, wouldn't it defuse the tension from the action scenes?
If the protagonist is immortal, wouldn’t it defuse the tension from the action scenes?
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