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AlisonPenpusher
Posted: December 16, 20202020-12-16T11:51:51+10:00 2020-12-16T11:51:51+10:00In: Family

A driven mum must rise above her own insecurities to prove her inter-racially adopted daughter loves her.

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    6 Reviews

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    1. Mike Pedley Singularity
      2020-12-16T19:30:39+10:00Added an answer on December 16, 2020 at 7:30 pm

      Is the idea that the mother is insecure and goes about planning ways to try and make the daughter do things or say things that provide that proof? If so, I worry that she’ll be a difficult protagonist to get behind because I see her as being incredibly manipulative. That might not be the case, merely my interpretation, but I’d be conscious of it. Also, in order to achieve her objective goal (proof that her daughter loves her) she is not rising above her insecurities – she’s playing right to them. The only way to rise above these insecurities is to stop looking for proof.

      In terms of the logline, there’s nothing here that makes me think telling us her daughter is interracial is relevant. I always think a logline shouldn’t describe characters in a way that is unrelated to the rest of the story. If you describe a character as black, I’ll think there’s a race issue and I expect some thematic elements linking through the logline. If you describe her as a woman, I’ll think there’s something specifically and thematically relating to gender in the story. You’ve described her as a “mum” and actually, we can infer that information by the word daughter. Is there another word that gives us more character info specifically related to the plot or the theme? I would tempted to describe her as an “emotionally insecure XXXX” with the XXXX being her profession – and the profession is something like an executive – it suggests that drive. Now we have a character who is clearly smart, professionally confident and used to being in control, but emotionally insecure. She thinks she can use her “professional brain” to fix the problem.

      This leads me to the goal. I think it should be something more objective and more visual. It’s almost an internal goal, that proof is felt, and whilst it can be seen on screen, a lot of it is happening inside the character’s heads.

      “An emotionally insecure Executive struggles to bond with her newly adopted teenage daughter as they tackle a five-day road-trip to see the girl’s favourite band.”

      Hope this helps in some way.

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    2. Richiev Singularity
      2020-12-16T20:33:49+10:00Added an answer on December 16, 2020 at 8:33 pm

      Why?

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    3. Alison Penpusher
      2020-12-16T21:48:28+10:00Added an answer on December 16, 2020 at 9:48 pm

      Thank you Mike for your really insightful review. With the way you perceived it, I can see how it doesn’t tell my story at all. I’m seriously struggling with the hero’s desire.
      I was going along the desire line of Jane Eyre – to find love, but in this case, the love of a child.
      The mum’s ghost is that her parents were disappointed in every major decision she made and after having her own family, she’s turned out the same. Her teenage adopted child rebels but it isn’t because she’s adopted, it’s because the mum is disappointed in the decisions the daughter makes.
      But I like your “5 day road trip” or similar idea. This gives a desire line.

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      • Odie Samurai
        2020-12-17T03:20:02+10:00Replied to answer on December 17, 2020 at 3:20 am

        To help with the hero’s desire, jot down what the viewer will be watching for the majority of your film, then find that relevant inciting incident to get your logline’s bearings.
        For instance, I had no clue this involved a troubled teen, I was on the – mother raising an adopted interracial youngling timeline.
        Based on your feedback, one angle for this mother is to overcome a toxic upbringing to be a role-model for this teen. You could use Mike’s mentioned road trip if you have not already established your story beats.
        Keep going, take care.

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    4. Alison Penpusher
      2020-12-16T21:49:07+10:00Added an answer on December 16, 2020 at 9:49 pm

      So not to lose her daughter.

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      • Richiev Singularity
        2020-12-17T18:42:14+10:00Replied to answer on December 17, 2020 at 6:42 pm

        The threat of losing her daughter sounds like what sets this story in motion.

        Story: Cause; the threat of losing her daughter > Effect; The lead must rise above her own insecurities > Conclusion; unknown, maybe she succeeds maybe she fails.

        Therefore what or who is threatening to take away the lead character’s daughter should be added at the beginning of the logline.

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