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Two women who had enough have to run from police when are involved in a killing incident. – Thelma and Louise
"When she kills the man attempting to rape her friend, a housewife and her gal pal make a run to Mexico in order to get away from the police, hot on their trail."
“When she kills the man attempting to rape her friend, a housewife and her gal pal make a run to Mexico in order to get away from the police, hot on their trail.”
See lessThe true story of how a motley crew pulled off England’s biggest bank heist only to discover they were set up by MI5 to retrieve scandalous photos of a royal person.
Foxtrot25:>>proceed that a log should suggest to a star talent what the story would mean for them if they were to sign up.That is the usual rule, the best way to proceed.? But, as you know,? I also think rules are tools, not immutable laws chiseled in stone.? There can be exceptions.And I alsoRead more
Foxtrot25:
>>proceed that a log should suggest to a star talent what the story would mean for them if they were to sign up.
That is the usual rule, the best way to proceed.? But, as you know,? I also think rules are tools, not immutable laws chiseled in stone.? There can be exceptions.
And I also think that the most important element for a winning logline is a strong story hook.? I dare to venture it is the must-have, indispensable element for scripts by new writers with no representation, no industry contacts, no previous credits.? It’s such a ferociously competitive market, that having a well-constructed, industry standard logline? with all the required elements ( inciting incident+protagonist+objective goal+antagonist)? while necessary is not sufficient.? A spec script by an unrepresented writer trying to break into the Biz needs a strong story hook.
And I think this story has a strong hook.? True story… England’s biggest bank heist… scandalous photos of Princess Margaret.
BUT:
It also true that in Show Biz getting the script filmed often requires attaching major talent to the project, talent that? wants to play the role of the protagonist.? Having a major talent attached to a project is a magnet that draws other talent — and? more importantly, the $$,$$$,$$$ to film it.
Bottom line:? I agree with you that the wiser course would be to include the role of the protagonist.?
And I also think the midpoint discovery/reversal should be and can be included.
Should be because it’s a good story hook.
Can be because the audience is in on the setup from the git-go; it’ s well established in the first Act.? The thieves don’t discover it until the midpoint, after they have robbed the bank.? ?So the midpoint discovery/reversal is not a spoiler — it’s a selling point.
So:
The true story of how a small time criminal led a motley crew to pull off England?s biggest bank heist only to discover they were set up by MI5 to retrieve scandalous photos of Princess Margaret.
(36 words)
Note😕 “small time criminal” instead of? “shady used car dealer”? because, upon another viewing, I realized that is a more accurate description.? The story opens with him selling used cars because he’s trying to go legit . But it’s not working out. He’s deep in debt to a loan shark.? And then an ex-girlfriend shows up to offer him the score of a lifetime that will solve all? his money woes.
See lessAfter an attempt on his father’s life, a by-the-book Marine captain must kill his father’s rivals and become head of his own crime family to protect those he loves.
is this supposed to be the Godfather? ?My God this misses the mark. ?Where's the sense of grandeur? Where is the Shakespearean struggle between father and son, and light and darkness that plagues Micheal as he weighs ?avenging his father, falling prey to his demons, or to be a "good" man?
is this supposed to be the Godfather? ?My God this misses the mark. ?Where’s the sense of grandeur? Where is the Shakespearean struggle between father and son, and light and darkness that plagues Micheal as he weighs ?avenging his father, falling prey to his demons, or to be a “good” man?
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