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When a Talent Agency for Dogs loses its star, a secretary sees an opportunity for his own pooch. He ?just? has to convince the owner, a bellicose alcoholic, the mid divorce casting director and the psychotic German client while the pooch needs to overcome its stage fright.
Alas, the shift in the narrative focus doesn't work for me because if the secretary is now the protagonist then there are no significant stakes. ?Even a comedy should have significant stakes. ?The protagonist urgently needs something -- that's the driving force for humorous scenes, all the desperateRead more
Alas, the shift in the narrative focus doesn’t work for me because if the secretary is now the protagonist then there are no significant stakes. ?Even a comedy should have significant stakes. ?The protagonist urgently needs something — that’s the driving force for humorous scenes, all the desperate, frantic, and foolish measures the protagonist will take to get what she wants. ?And if she doesn’t obtain it, ?she will incur a great loss.
What is at stake for the secretary in getting her dog cast to sub for the “star dog”? ?Why MUST she get her dog cast? ?What does she stand to lose if she fails?
In this version, there are no stakes. ?There is no sense of urgent desperation, that the very survival of the boutique ad agency depends on casting the right pooch. ?Does the survival of the ad agency still depend on the outcome of the casting? ?If it does the logline ?should say so. ?It should be framed around those stakes. All the character and story elements in this version could still exist. ?It just a matter of framing them in the plot around ?the urgent dramatic need of the agency’s survival.
fwiw
See lessWhen a popular Irish family starts a brawl, a drunken priest nearly loses his shady Bingo game; clashing with a theatre and its gay producer in the same building, he turns the game into a New Religion.
Hello, maybe you should focus on the basic elements of a logline (main character, inciting event, goal, stakes).
Hello,
See lessmaybe you should focus on the basic elements of a logline (main character, inciting event, goal, stakes).
When a traitor agent quits and takes their biggest star to a competitor, the staff of “UNDERDOGS”, a boutique Talent Agency for Dogs: its owner, a bellicose no-nonsense New Yorker; a casting director, a debonair bitter out of place old-timer; and a casting agent, an aspiring actress more interested to getting cast herself than casting man’s best friends, scramble to find a replacement for a huge German Beer commercial; if they don’t, their agency will go to dogs. In the ensuing pandemonium a receptionist sees a big opportunity for his poodle. But will the Germans accept a French Poodle as a substitute of Saint Bernard and will the French Poodle be able to overcome his stage fright? The “Underdogs” better find out the answers soon, because the German patience is running thin and they are that close to kissing “Underdogs” Auf Wiedersehen.
Hello, this could be a funny movie but as a logline... I suggest you to read some logline tutorials like the training page on this very website or anythink you trust on google.
Hello,
See lessthis could be a funny movie but as a logline… I suggest you to read some logline tutorials like the training page on this very website or anythink you trust on google.