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A man makes numerous phone calls trying to negotiate his own safety while travelling to his gangster boss to confess his failure, finally having to settle for saving his family from revenge.
I see a little Midnight Run type opportunity here.
I see a little Midnight Run type opportunity here.
See lessA drifter finds some stability in his life when he is granted a job as a bartender for Tokyo’s premiere hotel, the Tengen. When a childhood friend is murdered within the alleys of the hotel, the drifter learns that the glitz and glamor of the Tengen is a front for a prominent yakuza organization. Now entwined in the conspiracy, he finds his delicate existence threatened as he is unceremoniously thrust into the criminal underworld of Tokyo.
A logline concentrates on what a character does, the action he or she takes as opposed to what they learn. "After witnessing his best friends murder, a drifter turned bartender must now navigate the Yakuza underground to discover who ordered the hit and then take them out."
A logline concentrates on what a character does, the action he or she takes as opposed to what they learn.
“After witnessing his best friends murder, a drifter turned bartender must now navigate the Yakuza underground to discover who ordered the hit and then take them out.”
See lessAn exiled man falls in love with a woman he’s meant to kill, a 157 year old woman on the run from the authorities.
>>>In Carella City ageing can be postponed but never vanquished, until Karl meets Penelope who hasn?t aged for over 150 years.Okay, that sets up the situation for a plot.? Now what is the plot that follows?? Specifically, what? is Karl's objective goal?? Because the vector of the plot? is dRead more
>>>In Carella City ageing can be postponed but never vanquished, until Karl meets Penelope who hasn?t aged for over 150 years.
Okay, that sets up the situation for a plot.? Now what is the plot that follows?? Specifically, what? is Karl’s objective goal?? Because the vector of the plot? is determined by what? one character, more than any other — the protagonist — desperately wants.
And btw, as a rule, character names are not given in loglines for fictional stories.? Rather the protagonist is defined in terms of a defining characteristic, usually a character flaw.? A flaw he will eventually have to overcome to achieve his objective goal.
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