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An ambitious young actor begins a passionate love affair with a washed-up but wealthy older actress, however, her family suspect he’s a gold-digger and set out to undermine his career.
I like the idea. I think the family, rather than think he's a gold-digger, think he's just trying to take advantage of her to advance his career. This can include using her money but I think it's important, since you've called him 'ambitious', for that ambition to be outwardly visible by his family.Read more
I like the idea. I think the family, rather than think he’s a gold-digger, think he’s just trying to take advantage of her to advance his career. This can include using her money but I think it’s important, since you’ve called him ‘ambitious’, for that ambition to be outwardly visible by his family. It makes total sense for them to be wary plus, since we’re not including the ending, it also makes the audience ask the question “is he just using her?” – that, to me, is interesting.
The only other thing I wonder, is how the family can undermine his career. I think it would be better if they try and stop the relationship at every turn. This in turn causes problems for his career. That makes more sense to me.
Hope this helps.
See lessMinutes after a woman flies solo into motherhood with artificial insemination, she meets Mr. Right who thinks she’s his dream girl–but isn’t ready for children.
Using my as-yet paid-for artistic license, this is what i would have done with this: "Despite knowing he was the backup plan for the love of his love, a forlorn man is horrified to realize after helping her get pregnant she just met her Mr. Right, and is determined to win her heart at all costs." ThRead more
Using my as-yet paid-for artistic license, this is what i would have done with this:
“Despite knowing he was the backup plan for the love of his love, a forlorn man is horrified to realize after helping her get pregnant she just met her Mr. Right, and is determined to win her heart at all costs.”
This tracks to a differing place but offers a ramped up plot line.
See lessSix unknowingly linked and naive characters in, Edinburgh and London, struggle to find love in their stormy relationships before it is too late.
This logline seems to be written from the outside looking in, instead of from the characters point of view. As a result, the logline comes across impersonal and as Karel said, the logline doesn't sell (The Story)
This logline seems to be written from the outside looking in, instead of from the characters point of view.
As a result, the logline comes across impersonal and as Karel said, the logline doesn’t sell (The Story)
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