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A na?ve but gifted young paralegal working late finds herself trapped in an empty giant parking garage and must defend herself against the shadowy contract killer hired to kill her.
Why is the fact that she's a paralegal relevant? Or the fact that she's gifted? Or naive for that matter? These things should give me some clue as to why someone would go to the length of hiring an assassin to kill her. Or at least suggest how she is going to be able to survive this encounter. SurelRead more
Why is the fact that she’s a paralegal relevant? Or the fact that she’s gifted? Or naive for that matter? These things should give me some clue as to why someone would go to the length of hiring an assassin to kill her. Or at least suggest how she is going to be able to survive this encounter.
Surely, a contract killer would just shoot her from a distance? This is what they does for a living right? She’s just a naive paralegal… so how is she supposed to defend herself against someone who kills people like this every day?
Is this for a feature length or a short? At the moment I’m struggling to see this sustaining a 90mins+ runtime.
See lessThe diagnosis of infertility forces a desperate woman to decide whether she should face the risks of achieving her dream of motherhood at any cost.
"When diagnosed with infertility, a desperate woman kidnaps a baby from the street." Then what? I would start like this: "When she kidnaps a baby from the street, an infertile woman must..." Then, MAIN ACTION is required. She must what? She sounds more like an antagonist. "Must decide" cannot be a MRead more
“When diagnosed with infertility, a desperate woman kidnaps a baby from the street.” Then what?
I would start like this:
“When she kidnaps a baby from the street, an infertile woman must…”
Then, MAIN ACTION is required. She must what? She sounds more like an antagonist.
“Must decide” cannot be a Main Action.
See lessAn escaped psychopathic convict on the run from the authorities and trying to make it across the border unwittingly accepts a ride from a off-duty police sheriff on the verge of retirement.
And then what?? The logline sets up a situation for a plot, but it doesn't follow through with a complete plot.? I suggest running this through the logline generator.
And then what?? The logline sets up a situation for a plot, but it doesn’t follow through with a complete plot.? I suggest running this through the logline generator.
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