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Desperate after a tough breakup, a sorority girl goes to dinner with her high school ex to discover what she did wrong. (Senior Thesis Film) Alt Version: A sorority girl must figure out why her last relationship fell apart to try and save her current one. She does this by going on a date with her ex from high school and learns that love isn?t everlasting and is often blinding.
What does she want out of the date? ?What does he want? ? What is each character fighting for on this date? (And there has to be a conflict between them even if low key and both are minding their manners. ?The essence of drama is conflict. If there's no conflict, then there's no drama.)
What does she want out of the date? ?What does he want? ? What is each character fighting for on this date?
(And there has to be a conflict between them even if low key and both are minding their manners. ?The essence of drama is conflict. If there’s no conflict, then there’s no drama.)
See lessIn the final stages of war between three factions, an incredible warrior and huntsman is called upon to secure, protect and adapt a defenseless faction called Avagon in return to fulfill a lifelong family vendetta. If anyone would be so kind as to give me a straight, honest opinion on this concept for my 3rd year game project. Thank you!
Okay then, The most important part of the logline and story would be the games opening event. This will also be your characters call to action. What compelling event happens at the beginning of the game that calls the Character to his course of action to defend Avagon?In logline terms, you would opeRead more
Okay then, The most important part of the logline and story would be the games opening event.
This will also be your characters call to action.
What compelling event happens at the beginning of the game that calls the Character to his course of action to defend Avagon?
In logline terms, you would open the logline with “When (This compelling event happens) a brave huntsman must defeat…)
For instance in Skyrim; the opening event is the return of the dragons,?
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“When Dragons return to ravish Skyrim, A prison?born on a certain day, under a certain sign, must travel to High Hrothgar to learn the ways of the voice to defeat the Dragon menace.”
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So I would look at the opening of your game and ask what compelling event sets your characters path and then use that event to begin your logline.
A Shakespearian actor becomes unable to tell reality from a play. When his character Mercutio dies he wanders through what he believes is the afterlife distressing his family and friends. Title : A grave man
"Do you have any tips on how to do this? Like a rule or something that could be useful to keep in mind?" I'm probably just doubling up on what Nir and others have said, but: Specifically define the OBJECTIVE goal of the Hero... Every other story element flows from this. If there is no goal there isRead more
“Do you have any tips on how to do this? Like a rule or something that could be useful to keep in mind?”
I’m probably just doubling up on what Nir and others have said, but:
Specifically define the OBJECTIVE goal of the Hero… Every other story element flows from this. If there is no goal there is no point.
Once you have that (VERY SPECIFIC OBJECTIVE) goal, take a look at a potential character flaw that would run in contrast to this (irony)..
Your concept has potential (particularly in terms of comedy…) — just figure out what this character WANTS given they believe themselves to now be dead.
best of luck:)
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