When her husband and the lawyer she blames for her sister?s death are found murdered, a battered woman struggles to prove her innocence after the Police discover her plan to get her violently jealous husband to murder the lawyer in order to free herself from her marriage.
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When her husband and the lawyer she blames for her sister?s death are found murdered, a battered woman struggles to prove her innocence after the Police discover her plan to get her violently jealous husband to murder the lawyer in order to free herself from her marriage.
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I am going attempt to do a logline, I am not sure you should put the lawyer into the logline since it makes the logline too long, however, I will do two loglines, one with the lawyer one without.
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1: “When the husband she was plotting to kill is and the lawyer she was planning to frame are?murdered, an abused housewife must now scramble to prove her innocence despite, due to her plotting, all evidence pointing towards her guilt.”
2: “When the husband she was plotting to kill is murdered, an abused housewife must now scramble to prove her innocence despite, due to her plotting, all evidence pointing towards her guilt.”
Two things:
1: I don’t think the manipulative lawyer should be murdered. I think the lawyer should be the killer. In terms of plot; the abused wife plots to kill her husband, the lawyer in a fit of rage during an argument kills the husband and then because the wife had been plotting to kill the husband, the manipulative lawyer uses that to frame her.
2: I don’t think the wife should be the lead character… This is a great set up for a whodunnit, I think the investigator should be the lead character, He initially believes the wife to be innocent but evidence keeps piling up that she is the true killer (Because she was after all actually trying to kill her husband) Maybe come up with? a couple more side characters who? also had a reason to kill the?leads husband.
Anyway, those are just some thoughts, take them or leave them
Richiev, I take your point. I think what makes the logline fascinating is the ‘killing two birds with one stone’ scheme. Otherwise it’s a pretty run-of-the-mill genre story about an aggrieved woman who may or may not be guilty of her husband’s murder.
I agree that the logline is long and I’m open to improving it. I’ve seen some pretty long marketing loglines for scripts that got sold so I don’t think length alone is an issue.
I think I’m going to say ” must prove her innocence’ rather than struggles to prove her innocence ‘ because the Police believe they can secure a conviction on the basis that she planned a murder and so they can establish motive, means and opportunity.
Many thanks, Richiev. Here is my latest iteration which blends your first version with mine.
When her violently jealous husband and the corrupt lawyer she blames for her sister?s death are both found murdered, a battered housewife must prove her innocence because all evidence is pointing towards her guilt.
An innocent woman must prove her she didn?t kill her husband and the lawyer she holds responsible for her sisters death after police discover her plan to kill them.
Thanks, CraigDGriffiths
Here is my breakdown of the 2 loglines you suggest.
1. A woman must prove her innocence when her husband and the man responsible for her sister’s
death are murdered and the Police discover her plan to kill them.
Comment: Is she innocent or guilty? do we like her enough to care?
2. An innocent woman must prove she didn’t kill her husband and the man responsible for her sister’s death after police discover her plan to kill them.
Comment: odds stacked against her. We all know the pain of not being believed.
On this basis, I think I’m going with 2.
dpg? & NirShelter – as requested.
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