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lynnepower
Posted: July 23, 20132013-07-23T15:52:31+10:00 2013-07-23T15:52:31+10:00In: Public

A cop must track down a violent criminal loose in the crime free society of 2050 and learns something about the killer that is set to change her and this utopian society. Psychological thriller.

Clause 11

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    6 Reviews

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    1. danielarmour2012
      2013-07-29T00:37:10+10:00Added an answer on July 29, 2013 at 12:37 am

      There’s definitely a strong story here, I think it just needs a character flaw/sense of irony for the main character to truly work. Other than that, great work!

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    2. Nicholas Andrew Halls Samurai
      2013-07-25T17:17:02+10:00Added an answer on July 25, 2013 at 5:17 pm

      Sorry Lynne … my first thought was Demolition Man too! Maybe it’s what she learns that sets this apart? If that’s the case, you’ve gotta reveal it to us – it’s the hook that makes your story fresh or not.

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    3. lynnepower
      2013-07-24T17:25:58+10:00Added an answer on July 24, 2013 at 5:25 pm

      Lucius did you even see Demolition Man?

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    4. lynnepower
      2013-07-24T17:20:06+10:00Added an answer on July 24, 2013 at 5:20 pm

      James your comments are very helpful – thank you. I will have another go at it. Cheers Lynne

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    5. 2013-07-24T02:08:52+10:00Added an answer on July 24, 2013 at 2:08 am

      You spelt ‘Demolition Man’ wrong.

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    6. jamesmichael Penpusher
      2013-07-23T20:00:52+10:00Added an answer on July 23, 2013 at 8:00 pm

      All the elements are here to make up a great logline. I think that it may take you a few goes to get it right though.

      Firstly, take out the ‘psychological thriller.’ If you’ve done your work properly with the logline then we should be able to work the genre out for ourselves.

      Also i would suggest getting rid of the 2050. Unless this date is extremely important to the story, i think writing ‘in a future society’ should be enough.

      Next, you’ve identified your protagonist,the cop. That’s good. I always suggest giving them a flaw if possible. It could be something as simple as ‘a nieve’ cop. This automatically presents the story with so many more options then simply stating that he’s a ‘cop.’

      Next, this is the big one, make his goal clear. The logline should almost always end with a statement of what the goal is. You kind of have that here. I would suggest changing up the order to end on this goal, it makes the story much easier to read.

      And finally include the inciting incident. When does he start going after this killer? Why does he start going after this killer? What gets the story going.

      An example of how I would re-write this logline (based off the info you’ve given provided” would be –

      “Set in a future society, when the first murder in a generation takes place, a nieve cop must stop the killer from striking again before the structure of this Utopian society crumbles”

      hopes this helps

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