The Last Job on Earth
A disillusioned nuclear missile silo officer, yearning for job satisfaction, gets more than he bargained for when Earth is occupied by alien invaders and saving mankind means destroying Washington DC.
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This sounds like a great idea for a low budget film with huge commercial potential if made from the perspective of the officer from with in the silo.
The logline has almost everything it needs, I would say though, in the wrong order and with to many descriptions that don’t push the stakes and personal conflict to the max.
My try:
When an alien force attacks earth a disillusioned officer in control of the last nuclear silo must destroy the invading forces Generals in their newly established head quarters set up in Washington DC in order to save mankind.
Hope this helps.
This sounds like a great idea for a low budget film with huge commercial potential if made from the perspective of the officer from with in the silo.
The logline has almost everything it needs, I would say though, in the wrong order and with to many descriptions that don’t push the stakes and personal conflict to the max.
My try:
When an alien force attacks earth a disillusioned officer in control of the last nuclear silo must destroy the invading forces Generals in their newly established head quarters set up in Washington DC in order to save mankind.
Hope this helps.
Hate to go medieval on technical elements of the premise, but:
It’s SOP that no single person can launch a missle. Two people must concurrently press launch buttons and the buttons are placed far enough apart so that no one person can reach both.
Operational personnel must go through intense psychological screening to even be selected for training, let alone get assigned. And the chosen few who make it through training are continually and rigorously tested and observed for mental fatigue and lack of commitment to the job. It would be a failure of the process for an unstable officer to get selected, a more massive failure for a burn out to remain on the job.
But no system is perfect. So let’s assume he beats the odds and slips through–
But we’re back to square one: the electronics have been laid out to prevent unilateral launching of a missle.
Further, the US gov’t has been worrying and working out nuclear scenarios for over 60 years now. [And taking notes on all the Hollywood movies made about a nuclear dooms day.] They’re not that stupid to locate emergency command centers for key operations inside DC or anywhere near. (I live in the region — trust me.)
And if aliens do occupy DC, and the officer launches a nuclear counterattack, it’s a once in a millenium opportunity to cleanse a portion of the planet of the pestilence of greedy lobbyists, corrupt politicians and toady journalists. Bring the bombs on! The audience will be cheering him on. (Like they did when the White House was blown up in the movie “Independence Day”.)
Technical readouts aside, I don’t see a congruent match between his flaw and his challenge. I don’t see any reason to like him or even pity him. Is it reasonable, credible to believe that the protagonist would be worried for a New York second about career burnout when the clock is ticking down, the fate of human life is on the line? When his own life is at stake?
And if that is his state of mind, what possible sympathy can one expect the audience to have for such a self-absorbed, myopic character?
Hate to go medieval on technical elements of the premise, but:
It’s SOP that no single person can launch a missle. Two people must concurrently press launch buttons and the buttons are placed far enough apart so that no one person can reach both.
Operational personnel must go through intense psychological screening to even be selected for training, let alone get assigned. And the chosen few who make it through training are continually and rigorously tested and observed for mental fatigue and lack of commitment to the job. It would be a failure of the process for an unstable officer to get selected, a more massive failure for a burn out to remain on the job.
But no system is perfect. So let’s assume he beats the odds and slips through–
But we’re back to square one: the electronics have been laid out to prevent unilateral launching of a missle.
Further, the US gov’t has been worrying and working out nuclear scenarios for over 60 years now. [And taking notes on all the Hollywood movies made about a nuclear dooms day.] They’re not that stupid to locate emergency command centers for key operations inside DC or anywhere near. (I live in the region — trust me.)
And if aliens do occupy DC, and the officer launches a nuclear counterattack, it’s a once in a millenium opportunity to cleanse a portion of the planet of the pestilence of greedy lobbyists, corrupt politicians and toady journalists. Bring the bombs on! The audience will be cheering him on. (Like they did when the White House was blown up in the movie “Independence Day”.)
Technical readouts aside, I don’t see a congruent match between his flaw and his challenge. I don’t see any reason to like him or even pity him. Is it reasonable, credible to believe that the protagonist would be worried for a New York second about career burnout when the clock is ticking down, the fate of human life is on the line? When his own life is at stake?
And if that is his state of mind, what possible sympathy can one expect the audience to have for such a self-absorbed, myopic character?
And the next time aliens invade earth, have them pick on China instead. That’s where the money is for financing — and profiting from — big budget CGI optical orgies. (Seriously.)
And the next time aliens invade earth, have them pick on China instead. That’s where the money is for financing — and profiting from — big budget CGI optical orgies. (Seriously.)
dpg- wow you went to technical town there may man lol. I do appreciate you taking the time though (you too Nir, cheers!)
To respond a little …
This is aiming to be a high concept logline so I’m not trying to ram in the usual stuff. It’s a first attempt at one, anyway.
My idea was inspired by a string of news reports in the US about problems within the officer ranks at these silos. If you’re curious you can google them or have a look at this VERY funny and FRIGHTENING piece that was on ‘Last Week Tonight with John Oliver’
Yes, I want this to be a contained thriller sci-fi. It all pretty much happens in the missile silo. He gets his news about the big picture through Youtube or something like that.
I imagine him meeting a girl at a bar in the beginning, lonely hearts kind of thing, maybe a strip joint. The alien attack happens, she runs to the silo asking for shelter. He lets her in but unknowingly lets in one of the aliens in too perhaps. There is another guy in the silo with him but there is no need to mention him in the logline. Maybe there are few officers, guys and girls. I kinda picture it like Aliens, but on Earth, in a missile silo. a bit of Das Boot atmosphere also.
In my yet-to-be-fully-outlined idea, I’m picturing the kind of sci-fi type scenario where the ‘mother’ alien has wrapped herself around the Capitol building. If the hero nukes her, all the aliens die, hence the targeting of DC. And yes, I figured people would kinda get a kick out of that lol.
Anyway, early days. Thanks again!
dpg- wow you went to technical town there may man lol. I do appreciate you taking the time though (you too Nir, cheers!)
To respond a little …
This is aiming to be a high concept logline so I’m not trying to ram in the usual stuff. It’s a first attempt at one, anyway.
My idea was inspired by a string of news reports in the US about problems within the officer ranks at these silos. If you’re curious you can google them or have a look at this VERY funny and FRIGHTENING piece that was on ‘Last Week Tonight with John Oliver’
Yes, I want this to be a contained thriller sci-fi. It all pretty much happens in the missile silo. He gets his news about the big picture through Youtube or something like that.
I imagine him meeting a girl at a bar in the beginning, lonely hearts kind of thing, maybe a strip joint. The alien attack happens, she runs to the silo asking for shelter. He lets her in but unknowingly lets in one of the aliens in too perhaps. There is another guy in the silo with him but there is no need to mention him in the logline. Maybe there are few officers, guys and girls. I kinda picture it like Aliens, but on Earth, in a missile silo. a bit of Das Boot atmosphere also.
In my yet-to-be-fully-outlined idea, I’m picturing the kind of sci-fi type scenario where the ‘mother’ alien has wrapped herself around the Capitol building. If the hero nukes her, all the aliens die, hence the targeting of DC. And yes, I figured people would kinda get a kick out of that lol.
Anyway, early days. Thanks again!
Blue Parrot:
I am aware of the problems and scandals involving nuclear weapons from other news sources.
I would point out that the cheating scandal in the silos was symptomatic of the intense and unremitting pressure officers are under to be ready for the worst possible scenario, a genuine nuclear attack. Which competency they must consistently demonstrate if they are to fulfill their “yearning” for a specific objective goal: career promotions.
In comparison, the “yearning for job satisfaction” of your MC seems rather vague. I suggest a tighter focus, a more specific definition of whatever it is your MC yearns for. His objective goal can’t be to blow up DC. That’s the one thing he does not want to do, what he would only do in the last Act when all other options are exhausted. (And by definition, a dramatic objective goal is what the MC decides he wants to do by the end of Act 1.)
I did a scan of the web pages here for loglines with a plot involving aliens from space getting down and dirty on planet earth. I got 50+ hits. That’s why If I’m went into medieval mode: your idea is running in a very competitive, very crowded field.
fwiw
Blue Parrot:
I am aware of the problems and scandals involving nuclear weapons from other news sources.
I would point out that the cheating scandal in the silos was symptomatic of the intense and unremitting pressure officers are under to be ready for the worst possible scenario, a genuine nuclear attack. Which competency they must consistently demonstrate if they are to fulfill their “yearning” for a specific objective goal: career promotions.
In comparison, the “yearning for job satisfaction” of your MC seems rather vague. I suggest a tighter focus, a more specific definition of whatever it is your MC yearns for. His objective goal can’t be to blow up DC. That’s the one thing he does not want to do, what he would only do in the last Act when all other options are exhausted. (And by definition, a dramatic objective goal is what the MC decides he wants to do by the end of Act 1.)
I did a scan of the web pages here for loglines with a plot involving aliens from space getting down and dirty on planet earth. I got 50+ hits. That’s why If I’m went into medieval mode: your idea is running in a very competitive, very crowded field.
fwiw
“Crimson tide” meets “Independence Day”!
You have the ingredients for a good SF thriller in a closed environment.
Now the difficulty starts in
1) making it realistic. Even if you take liberty with the real silo and missile launch protocols, it must have the feel of authenticity.
2) making it crescendo. Something has to be at stake and you have to throw more and more difficult obstacles to your Protagonist. Start with he has to save earth by killing everybody in Washington and it’s difficult to top that. Start by saving the girl and you can top that by helping the generals to save his country, save the human race.
3) making it snappy. Because the situation is enclosed, you need to have sharp dialog to create further tension. Tarentino was tasked to rewrite Crimson Tide’s dialog for that purpose.
4) making it fun. Unless you intend to make a drama out of it, it’s B movie subject. So don’t over intellectualise it.
“Crimson tide” meets “Independence Day”!
You have the ingredients for a good SF thriller in a closed environment.
Now the difficulty starts in
1) making it realistic. Even if you take liberty with the real silo and missile launch protocols, it must have the feel of authenticity.
2) making it crescendo. Something has to be at stake and you have to throw more and more difficult obstacles to your Protagonist. Start with he has to save earth by killing everybody in Washington and it’s difficult to top that. Start by saving the girl and you can top that by helping the generals to save his country, save the human race.
3) making it snappy. Because the situation is enclosed, you need to have sharp dialog to create further tension. Tarentino was tasked to rewrite Crimson Tide’s dialog for that purpose.
4) making it fun. Unless you intend to make a drama out of it, it’s B movie subject. So don’t over intellectualise it.
And make it a crisis shared with his shift partner, a female officer. That’s the obvious and more realistic go-to for the “B” story. Considering the layers of security around each silo, it’s not likely that an outsider could get anywhere close enough to beseech shelter from the storming aliens.
And mixed-sex shift partners get into affairs all the time.
And make it a crisis shared with his shift partner, a female officer. That’s the obvious and more realistic go-to for the “B” story. Considering the layers of security around each silo, it’s not likely that an outsider could get anywhere close enough to beseech shelter from the storming aliens.
And mixed-sex shift partners get into affairs all the time.
btw- Congrats Nir on your World Series of Screenwriting award for your short script. Saw your name there while I was celebrating mine 🙂 (Phil)
btw- Congrats Nir on your World Series of Screenwriting award for your short script. Saw your name there while I was celebrating mine 🙂 (Phil)
Thanks Phil and congratulations to you as well.
Go Silver…
Thanks Phil and congratulations to you as well.
Go Silver…
Thanks Phil congratulations to you as well.
Go silver…
Thanks Phil congratulations to you as well.
Go silver…