Seeing her father assassinated, Princess escapes to search the land for her exiled mother to learn the djinn arts to take revenge and save her people.?
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Seeing her father assassinated, Princess escapes to search the land for her exiled mother to learn the djinn arts to take revenge and save her people.?
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I like it
It’s short, has everything you need. If I were to nitpick, maybe (and like I say only nitpicking, so I wouldn’t worry too much) I would tweak the line a little bit, so that she must defeat this person before this person becomes king etc, basically a way of upping the stakes EG she’ll lose the kingdom if she cannot defeat this person, but she must also challenge him with a certain amount of time.
However that is nitpicking, as I can see the beginning, middle and end of this story, which if you do that in a logline, you’re winning the battle
Agreed with the above, this concept has come a long way over the posts, and now reads very well.
I would only add that you can use the antagonist description in the inciting incident to introduce the magic element a bit earlier. This is really no big deal as the concept is interesting and plot sound but in the interest of constructive feedback, currently the “…forbidding arts…”? come in a bit late in the logline. I’d also suggest changing the goal from negative (revenge) to positive – getting back at the killer is implied in what ever she does.
My suggestion:
After a sorcerer kills her father, a sheltered princes must search for her exiled enchantress mother in order to learn the forbidden arts and save her people from the usurper
I like Nir’s version and relates to my point, by adding “… save the people” you not only get increased stakes, but a worthy goal as well.
I like Nir’s ?version, too, because it gives the antagonist equivalent power. ??He’s a sorcerer as knowledgeable the magical arts as must become. ?Consequently, ?just acquiring skill in the magical arts doesn’t guarantee the princess inevitable success, make it a slam dunk that she will succeed.?