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When her agent drops her, a shy ?love story? author attends a horror movie workshop where screenwriters are kept prisoner by a perverse guru who makes them die like their characters, so that only the best writer will survive.
It sounds like the framework for a bunch of short stories. Is that the idea?
It sounds like the framework for a bunch of short stories. Is that the idea?
See lessWhen a women?s prison workgang is attacked by 19th Century demon possessed, private-school girls, the head prisoner must destroy them to save the new inmate.
Also, I never said I wanted to write a script with an unsympathetic character.
Also, I never said I wanted to write a script with an unsympathetic character.
See lessWhen a women?s prison workgang is attacked by 19th Century demon possessed, private-school girls, the head prisoner must destroy them to save the new inmate.
It's actually a short film i made in 2009 that has done well for me despite it's shockingly low production values (to simulate a gun shot wound I put a wig on a balloon and popped it) and I have often wondered why. I put it up as a logline to see what feedback it might attract if I was ever to expanRead more
It’s actually a short film i made in 2009 that has done well for me despite it’s shockingly low production values (to simulate a gun shot wound I put a wig on a balloon and popped it) and I have often wondered why. I put it up as a logline to see what feedback it might attract if I was ever to expand it. I’ll have another think about the logline but I did try and write it out as clear as possible based on what worked in the film.
The biggest lesson I learnt was to give your target audience what they want, which I had done by accident. That means sticking to the rules of the genre (even though this was a mash of two) which is why I have argued so strongly for the main character to be someone very flawed. I’m sorry if that got read as me not taking advice.
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