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When a TV program is set to launch an expose on a commune, a member who sought refuge in the group because his grandfather’s murder was instigated by the media, devices a plan to sabotage the TV network and protect his identity.
Wouldn't sabotaging the network backfire, only generate more publicity as all the the news media, print and electronic, focus on the incident and the commune?And what reprehensible deed has the network committed to justify the sabotage in the eyes of the audience, especially if the commune is ripe wRead more
Wouldn’t sabotaging the network backfire, only generate more publicity as all the the news media, print and electronic, focus on the incident and the commune?
And what reprehensible deed has the network committed to justify the sabotage in the eyes of the audience, especially if the commune is ripe with scandal that needs to be exposed? ? Again, why would the audience be on his side? ?It may be inconvenient to him but I don’t see how the network is to blame for wanting to do an expose on the commune that coincidentally puts him back in the spotlight. ?IOW: ?I don’t see how his behavior is morally justified because he seems to be a collateral victim, not the intentional victim of the expose.
And aren’t there are a zillion other places for the protagonist to hide out from the media?
See lessWhen a TV program is set to launch an expose on a commune, a member who sought refuge in the group because his grandfather’s murder was instigated by the media, devices a plan to sabotage the TV network and protect his identity.
>>>because his grandfather?s murder was instigated by the mediaThis is confusing. ?Who committed the murder (for whatever reason)? ? The protagonist who took refuge in the commune -- or someone else? ?If the protagonist committed the murder, then the logline needs to say so directly, explicRead more
>>>because his grandfather?s murder was instigated by the media
This is confusing. ?Who committed the murder (for whatever reason)? ? The protagonist who took refuge in the commune — or someone else? ?If the protagonist committed the murder, then the logline needs to say so directly, explicitly.
And if he committed the murder, why should an audience sympathize with his plight? ?Why would they want him to succeed?
See lessWhen a widow realizes that the ongoing completion of her late husband?s life?s work — an adventure park — is depleting her entire inheritance, she decides to integrate a working village in the park to generate income and inadvertently attracts a cult.
A logline is a brief statement of one plot with one? overarching objective goal.??There can be other goals and intermediate goals subsumed in subplots and milestones. ?But a logline is about, and only about,?the overarching objective goal -- the spine that supports and holds together everything.
A logline is a brief statement of one plot with one? overarching objective goal.??There can be other goals and intermediate goals subsumed in subplots and milestones. ?But a logline is about, and only about,?the overarching objective goal — the spine that supports and holds together everything.
See less