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After a twister transports a lonely Kansas farm girl to a magical land, she sets out on a dangerous journey to find a wizard with the powers to send her home.
My favorite "twist" on the story premise.
My favorite “twist” on the story premise.
See lessWhen an aspiring writer blogs anonymously about her dates, one of them finds out who she is and continues dating her in order to improve his dating style to ask out someone else.
Richiev's version makes it a re-tooling of the premise of the 2005 Will Smith film, "Hitch". ? ?Well, maybe. Richiev is ?correct that the standard complication for a story of this genre is for the protagonist to unexpectedly fall in love with the person with whom he starts a relationship with on theRead more
Richiev’s version makes it a re-tooling of the premise of the 2005 Will Smith film, “Hitch”. ? ?Well, maybe.
Richiev is ?correct that the standard complication for a story of this genre is for the protagonist to unexpectedly fall in love with the person with whom he starts a relationship with on the wrong foot (aka: they “meet cute”). After all, it is a romance.
And why would she continue to accept dates with him if some positive alchemy wasn’t developing in her mind in spite of her him two thumbs down reviews?
So yeah, the logline would benefit from a polish that includes a romantic complication.
See lessWhen a TV program is set to launch an expose on a commune, a member who sought refuge in the group because his grandfather’s murder was instigated by the media, devices a plan to sabotage the TV network and protect his identity.
As Foxtrot25 said.As far as I can understand the story, the protagonist's action line seems rather weak. ?Job #1 for a protagonist is to be proactive. ? But in this scenario, as far as I can tell, he's more reactive than proactive. Others drive him and the story when he should be in the driver's seaRead more
As Foxtrot25 said.
As far as I can understand the story, the protagonist’s action line seems rather weak. ?Job #1 for a protagonist is to be proactive. ? But in this scenario, as far as I can tell, he’s more reactive than proactive. Others drive him and the story when he should be in the driver’s seat, driving the story himself.
And ?”sabotage” only amounts to him trying to talk the leadership out of letting the TV crew on the ground? ?That’s weak tea for an action line.
fwiw
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