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Seven year old JR nearly unwishes his talking Teddy Bear, Threadbare Fred Bear, until Fred (his guardian angel in disguise) takes him on a trip through the wishing tunnel, dodging wishes coming true, until they reach The Wish Factory where they watch elves, angels and The Big Guy manifest hopes, dreams, wishes and prayers.
>>>he story certainly is about being positive How? And once, again, who is the protagonist? What is his objective goal? What does he stand to lose (the sakes) if he fails?
>>>he story certainly is about being positive
How?
And once, again, who is the protagonist? What is his objective goal? What does he stand to lose (the sakes) if he fails?
See lessSeven year old JR nearly unwishes his talking Teddy Bear, Threadbare Fred Bear, until Fred (his guardian angel in disguise) takes him on a trip through the wishing tunnel, dodging wishes coming true, until they reach The Wish Factory where they watch elves, angels and The Big Guy manifest hopes, dreams, wishes and prayers.
Who is the protagonist? If it's JR, what's his objective goal? What does he want? (Unwish is a negative, not a positive act. Why does he 'unwish'-- whatever that means?) What's at stake -- what does he stand to gain if he succeeds, lose if he fails?
Who is the protagonist? If it’s JR, what’s his objective goal? What does he want? (Unwish is a negative, not a positive act. Why does he ‘unwish’– whatever that means?)
What’s at stake — what does he stand to gain if he succeeds, lose if he fails?
See lessUpon learning that suicide will forbid him entry to Heaven, a religious yet guilt-racked hitman secretly lets the public democratically determine his next target in order to righteously earn the Lord's favour and then be killed in the process.
SDMann: Re: The Travis Bickle character The screenwriter Paul Schrader did more than create an alienated taxi driver with an urge to kill; he also gave him a redeemable quality: Travis cares enough to try to rescue the young prostitute from her pimp. That "B" story salvages an otherwise seemingly unRead more
SDMann:
Re: The Travis Bickle character
The screenwriter Paul Schrader did more than create an alienated taxi driver with an urge to kill; he also gave him a redeemable quality: Travis cares enough to try to rescue the young prostitute from her pimp. That “B” story salvages an otherwise seemingly unsalvageable character.
Have you got a redeeming “B” story for your protagonist?
fwiw.
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