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In a future totalitarian state, a reclusive IT expert finds himself dragged into the shadows to lead the resistance and save the world.
>>finds himself dragged Passive. The protagonist role should always be stated in the active mode. Even if the inciting incident gets him involved against his initial intent or will, he becomes proactive by Act 2. And what's the inciting incident that triggers him to get involved? Also, "save tRead more
>>finds himself dragged
Passive. The protagonist role should always be stated in the active mode. Even if the inciting incident gets him involved against his initial intent or will, he becomes proactive by Act 2.
And what’s the inciting incident that triggers him to get involved?
Also, “save the world” is a clich?. His objective goal has something to do overthrowing the totalitarian state (I presume).
See lessLeft on a mountain to die, a helpless baby survives a deadly Fog. Years later, while seeking a secret Key, Aidan Andrews Maximus maybe losing his soul.
The logline reads like a bricolage of incidents. What is the causal link between the 1st sentence and the 2nd? How is the former an inciting incident for the latter? What is the causal, dramatic relationship among the 3 incidents. 1] "left on mountain to die", 2] "survives a deadly Fog", 3] "while sRead more
The logline reads like a bricolage of incidents.
What is the causal link between the 1st sentence and the 2nd? How is the former an inciting incident for the latter? What is the causal, dramatic relationship among the 3 incidents. 1] “left on mountain to die”, 2] “survives a deadly Fog”, 3] “while seeking a secret key”?
>>maybe losing his soul.
What does he do about it? What’s his objective goal?
See lessAfter moving into a new apartment, a famous writer sets up various cameras to spy on his strange neighbour.
>>Its a found footage Like "The Blair Witch Project"?
>>Its a found footage
Like “The Blair Witch Project”?
See less