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  1. Posted: June 21, 2017In: Drama

    Seduced into a world of drugs, sex, and money after abandoning her loved ones, model-slash-actress hopeful must determine if losing herself, is worth it to become a star.

    Best Answer
    dpg Singularity
    Added an answer on June 21, 2017 at 8:14 am

    As CraigDGriffiths said. ?The logline is a promotional tool to hook the interest of movie makers so that they will want to read the script. ?And what they are looking for is a specific plot, that is, a character struggling to achieve a specific objective goal against a specific adversary and/or obstRead more

    As CraigDGriffiths said. ?The logline is a promotional tool to hook the interest of movie makers so that they will want to read the script. ?And what they are looking for is a specific plot, that is, a character struggling to achieve a specific objective goal against a specific adversary and/or obstacle.

    What doesn’t interest movie makers in a logline are morals of the story, life?lessons the protagonist ?needs to learn. ?The hard way, of course, that goes without saing — so don’t bother saying it. Leave that for the script.

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  2. Posted: June 18, 2017In: Fantasy

    After mystical criminals break a powerful witch out of prison, a wizard a part of a magic police force must lead her first mission to catch them.

    dpg Singularity
    Added an answer on June 19, 2017 at 11:29 pm

    "Mystical" strikes me as kind of, well, "misty" -- vague. ?The term can cover a broad range of super-sized skills and powers. ?Given that there is a glut of super-sized characters in films of this genre, what makes this crew stand out? ?Is ?there one super-sized skill or power in particular that uniRead more

    “Mystical” strikes me as kind of, well, “misty” — vague. ?The term can cover a broad range of super-sized skills and powers. ?

    Given that there is a glut of super-sized characters in films of this genre, what makes this crew stand out? ?Is ?there one super-sized skill or power in particular that unique defines the culprit, hence the nature of the threat, the challenge the protagonist faces?

    What’s at stake if the protagonist fails to capture them. ?Not just in terms of her own career: ?surely, the bad gal and guys are not just going to lie low, sips mai tai’s while watching the sun set on a Caribbean beach.

    What is the witch’s own nefarious objective goal that the protagonist must thwart?

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  3. Posted: June 19, 2017In: Drama

    When a neglected housewife discovers that the nest will be empty sooner than she had planned, she follows her daughter to the beach for the summer in an effort to save their last few months together, quickly realizing she has a lot to learn about their relationship, her marriage and herself.

    dpg Singularity
    Added an answer on June 19, 2017 at 11:11 pm

    Could you be more specific about the inciting incident? ?What exactly happens that makes her realize she will be an empty nester sooner than she had expected. And ?could you also be more specific about what "save their last few months together" means in terms of dramatic action? ?IOW: ?how does thatRead more

    Could you be more specific about the inciting incident? ?What exactly happens that makes her realize she will be an empty nester sooner than she had expected.

    And ?could you also be more specific about what “save their last few months together” means in terms of dramatic action? ?IOW: ?how does that translate into a specific objective goal? ?In following her daughter to the beach what does she hope to accomplish? ?Talk her daughter out of leaving the nest so soon? ?Or…?

    Finally, loglines focus on ?an objective goal, not ?on ?a subjective need (even though the script ?deals with a subjective issue). ?Loglines are concerned about the primary dramatic problem created by the inciting incident, not about the dramatic solution. ?Certainly not a dramatic solution arising out of subjective change or personal epiphany.

    Consequently, a logline ?is not about and should never refer to ?”lessons learned”. ?Save the “lesson learned” for the script.

    fwiw

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