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Granted one week to hunt down the true assassin, a lovesick hitman must execute his fiance on day seven when she unwittingly poisons his boss, the kingpin of crime.
Yeah, it definitely conveys the impression of a spoiler, giving away the 3rd act. ?And the chronology of events in the logline is confusing.
Yeah, it definitely conveys the impression of a spoiler, giving away the 3rd act. ?And the chronology of events in the logline is confusing.
See lessDPG gave me a tip on my characters falling in love online: After connecting online with his dream girl, a country star, an agoraphobic author starts a therapy, but he must join her in public or risks losing her.
So all these years he's been afflicted with agoraphobia -- and never had therapy for it? ?How did he get diagnosed? ?How has he functioned?I just re-viewed the only movie ?that came to mind with someone whose personal life is seriously crippled by a psychiatric disorder, "As Good As It Gets". ?And iRead more
So all these years he’s been afflicted with agoraphobia — and never had therapy for it? ?How did he get diagnosed? ?How has he functioned?
I just re-viewed the only movie ?that came to mind with someone whose personal life is seriously crippled by a psychiatric disorder, “As Good As It Gets”. ?And in that movie, the main character is dragged of his isolation by events and unwittingly by other people. ?He doesn’t volunteer to change anything about himself or his life. ?And that seems more credible to me. ?And it seems to me it might?make for more conflict and tension — the sin qua non ingredients for compelling drama — if your agoraphobic is dragged out of his man-cave by circumstances, unwittingly by other people. ?If he’s forced to change against his will.
I like your intention to tell a story about a relationship between diametrical opposites, an ultra private man and an ultra public woman. ?However, I wonder if the concept could more productively leverage the description of him as a ?writer. ?Right now, his profession appears to be a throw away; it doesn’t seem to ?have any function in the working out of the plot — certainly not in the logline.
It seems to me that every word in a logline should have a should have a “job” of selling the script. ?Otherwise, it ?needs to be “fired” — cut — from the logline. ?How does his being an “author” sell the concept if she’s a country singer?
On the other foot, what if she’s a famous actress rather than a singer? ?And she’s the biggest fan of his writing? ?(As he is a fan of her acting?) What if ?she’s snapped up to the movie rights to his latest best-seller? (He is a best-seller author isn’t he? ?Because that created dramatic tension, puts him under pressure to come out of his man-cave and do PR — which he can’t do.) ?What if she totally ID’s with the lead character. ?And what if she wants to meet the guy who so totally seems to have gotten into her feminine psyche?
I’m just brainstorming randomly; ?my takeaway is that I think his being an author might be more usefully leveraged to more easily and credibly setup the initial link between them ?After all, despite their polar opposite personalities., what passion do they share? ?What do they have in common?
fwiw
See lessWhen a college-dropout new to Montana falls in love with a broke cowgirl, he discovers she?s competing against him for $100,000 at the biggest poetry slam.
Have you thought about framing the story from the cowgirl's pov? I find her a more interesting ?and sympathetic character because she seems to have ?more motivation to win. The stakes are higher for her: he voluntarily dropped out of college where she didn't volunteer to be broke. ?He's got a bar teRead more
Have you thought about framing the story from the cowgirl’s pov? I find her a more interesting ?and sympathetic character because she seems to have ?more motivation to win. The stakes are higher for her: he voluntarily dropped out of college where she didn’t volunteer to be broke. ?He’s got a bar tending job, so at least he’s making ends meet — but she’s broke. ?He voluntarily moved to Montana; ?she’s involuntarily trapped there, trying to get out.
If you want him to be the protagonist, than I suggest you need to give him the more desperate situation, the more compelling motivation. and at least equal stakes to hers. ?Otherwise,?as the story seems to be currently framed, I’m rooting for her to win ?– not him.
(And by stakes, it doesn’t necessarily follow that it’s the same for both because the prize money is the same for both. ?What is at stake is what the money can buy ?a future, the fulfillment of their Biggest Dream. ?Again in comparison to him her dream is framed in starker contrast to the corresponding predicament. ?
If she doesn’t win, she’s trapped in Montana, her Biggest Dream is dead. ?Whereas he’s already demonstrated he has the gumption to move on regardless of his material circumstances — he voluntarily dropped out of college, he voluntarily moved to Montana. ?So it seems like he can voluntarily move on to something else anytime he wants to.
Ergo, the personal stakes, as currently framed, seem bigger for her than for him.)
fwiw
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