Thanx

I see what you mean. The mambo jumbo I have made – In order for human to be infected, he has to touch the object (even although object has been whispering to people to lure them in and main hero will hear it aswell). All the main hero has to do is to not touch it in order to keep his own will. There is one beat where he is forced to touch it, but he dodges it by planning for the event and creating a distraction last moment. Ticking clock is – turned people will become zombies and later turn into organic matter merging together to raise a huge galactic gate. It needs lots of material. And the sect organised lots of shipments of humans to come over as it got some popularity in the world. So he has to stop it before the new material arrives. But it will arrive. And then he has to stop it before everyone gets infected and merges. I have a list of a lot of things that will go wrong all the time.

Hm, but I am not sure how to put it into the logline that would absorb it all. Resisting the artifact is his natural wit, destroying the artifact is a matter of TNT. What will stand in his way is its own defense mechanisms, hordes of zombies, his own comrades turning on him when falling under the spell, another corporations trying to get control of it, list is perhaps too long

Ah, thanx mate 🙂 Nice to still see you around. And yeah, your makes more sense and sounds more exciting.

I just thought that it would come as an obvious thing that he must destroy it or monster will destroy our world. The setting is more like H.P Lovecraft and cosmic horror in space inspired by Dead Space. Also I have decided to give him a daughter to give him extra motivation! Also it takes place in space and its going to be a scifi. I am thinking of way to incorporate the setting. And its for a novel, although I am using the beat sheet for it.

When his daughter joins a fanatic sect off-world that worships an alien artifact capable of conjuring a world-destroying monster, a corporate spy must destroy it before it wipes out humanity