Have an account? Sign In Now
Lost your password? Please enter your email address. You will receive a link and will create a new password via email.
Please briefly explain why you feel this question should be reported.
Please briefly explain why you feel this answer should be reported.
Please briefly explain why you feel this user should be reported.
When a low life trickster loses his partner, he must perform the great con with a once legendary con artist to escape the dangerous ganster he stole money from.
Indeed, a protagonist that isn't driving the plot forward (reactive) is not worth being the protagonist. That reminded me of Harrison Ford in the Fugitive. There is a constant 'survival' pressure on him, but still he is making all the calls. I guess it all makes a better sense...? if I was going toRead more
Indeed, a protagonist that isn’t driving the plot forward (reactive) is not worth being the protagonist. That reminded me of Harrison Ford in the Fugitive. There is a constant ‘survival’ pressure on him, but still he is making all the calls.
I guess it all makes a better sense…? if I was going to rewrite it to a more proactive.. “When a low life trickster loses his partner, he must perform the great con with a once legendary con artist to avenge his friend.”
In this more proactive approach, the logline makes Hooker looks more badass than the really is heheh
See lessWhen four men are hired to deliver nitroglyrcering shipment at a remote oil field, they can make no mistakes if they are to deliver the dangerous cargo alive. – Wages of Fear
Nir, the obstacle standing is the rugged roads as dpg pointed out, but I think the biggest obstacle that was clear to me when watching the movie was the relationship between the drivers. That stood out with the resilience (and/or reckless) of the character Mario vs Mr. Jo. Or if wasn't biggest obstaRead more
Nir, the obstacle standing is the rugged roads as dpg pointed out, but I think the biggest obstacle that was clear to me when watching the movie was the relationship between the drivers. That stood out with the resilience (and/or reckless) of the character Mario vs Mr. Jo. Or if wasn’t biggest obstacle it was a considerable catalyst of the tension and aggravation of the antagonism forces.
See lessWhen an American painter in Paris is discovered by an influential heiress, he has to deal with her and his rival friend if he is to date his true love.
Hmmm yes.. perhaps the proposed logline format won't do much good for this genre indeed. Or in the very least, it doesn't sound as catchy...
Hmmm yes.. perhaps the proposed logline format won’t do much good for this genre indeed. Or in the very least, it doesn’t sound as catchy…
See less