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After a fantastic date using new holographic technology, a struggling journalist is determined to meet the woman he loves in person. The problem is, she's a scientist aboard the International Space Station on a secret mission to save the earth.
I think you've described an interesting event, but haven't indicated a compelling action which the bulk of your screenplay will revolve around. (Determining to do something is not the same as doing that thing). Is his goal to get her fired from her job so she has to return to Earth, or is it to travRead more
I think you’ve described an interesting event, but haven’t indicated a compelling action which the bulk of your screenplay will revolve around. (Determining to do something is not the same as doing that thing). Is his goal to get her fired from her job so she has to return to Earth, or is it to travel into space to meet her? It’s important to provide this a) because it will determine whether it sounds like there is enough conflict to sustain a feature length film, and b) because if you’re pitching the film using the logline, specificity with the compelling action the protagonist takes allows whoever you’re pitching to to get a clearer idea of scope and budget necessary to produce your screenplay.
See lessMilk is the least of her worries as a matriarch struggles to keep the ice cream flowing ? she has teenage kids and a revolution to contend with.
If your protagonist's goal is to keep the ice cream "flowing" (which ice cream doesn't do unless it's melted, in which case why would you want it?), I don't think that's an interesting enough thing to attempt to hold my attention for 90 to 120 mins. Also, what is at stake?
If your protagonist’s goal is to keep the ice cream “flowing” (which ice cream doesn’t do unless it’s melted, in which case why would you want it?), I don’t think that’s an interesting enough thing to attempt to hold my attention for 90 to 120 mins. Also, what is at stake?
See lessMilk is the least of her worries as a matriarch struggles to keep the ice cream flowing ? she has teenage kids and a revolution to contend with.
If your protagonist's goal is to keep the ice cream "flowing" (which ice cream doesn't do unless it's melted, in which case why would you want it?), I don't think that's an interesting enough thing to attempt to hold my attention for 90 to 120 mins. Also, what is at stake?
If your protagonist’s goal is to keep the ice cream “flowing” (which ice cream doesn’t do unless it’s melted, in which case why would you want it?), I don’t think that’s an interesting enough thing to attempt to hold my attention for 90 to 120 mins. Also, what is at stake?
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